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Pre-fader listen (PFL) switches on a Yamaha mixing console, next to the fader of each channel. Pre-fader listen and After-fader listen are functions found on a primary monitor function. [31] On an analogue mixing console, the PFL (pre-fader listen) switch routes the incoming signal of a channel to a PFL bus.
The routing configuration and usage of an aux-send will vary depending on the application. Two types of aux-sends commonly exist: pre-fader and post-fader. Pre-fader sends are not affected by the main fader for the channel, while post-fader sends are affected by the position of the main fader slider control for the channel.
Post-fader sends are normally used in this case. Pre-fade auxiliary sends can provide a monitor mix to musicians on stage (which they hear through monitor speakers pointing at the performers or in-ear monitors); this mix is thus independent of the main mix produced by the faders. Program channels on a radio soundboard
It is usually better to supply stage monitors with signal obtained from pre-fader auxiliary sends. [6] Listeners outside of the main performance space will not hear amplified instruments such as electric guitar as well as those inside, so the matrix output going to their location would typically contain more of the amplified instruments.
Some consoles, especially digital consoles, offer a choice between possible insert points. [2] Digital consoles are often designed to allow the user to move the insert point to before or after the channel EQ and some allow the insert point to be placed after the fader and before the mix buses.
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Consider the case of an instrument feeding a sub-group and a post-fader mix. If you completely lower the sub-group master fader, you would no longer hear the instrument itself, but you would still hear it as part of the post-fader mix, perhaps a reverb or chorus effect. [3] VCA mixers are known to last longer than non-VCA mixers.
The swept EQ version also allowed switching between microphone input and line input, which was typically attached to a multi-track recorder output. All channels provided stereo pan as well as four cue send buses that could be configured as pre- or post-fader and allowed individual monitoring via a pre-fade listen (PFL) function.