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Kirkby Lonsdale (/ ˈ k ɜːr b i ˈ l ɒ n z d eɪ l /) is a town and civil parish in the Westmorland and Furness district of Cumbria, England, on the River Lune. Historically in Westmorland , it lies 13 miles (21 km) south-east of Kendal on the A65 .
Casterton is a small village and civil parish close to Kirkby Lonsdale on the River Lune in the south east corner of Cumbria, England. In the 2001 census the parish had a population of 500, [2] decreasing at the 2011 census to 425. [1]
The following rooms are open to the public. The drawing room still includes Ruskin's secretaire, bookcase and shell-cabinet. The wallpaper is a copy of Ruskin's design and his drawing of the north porch of St. Mark's, Venice, hangs above the shell-cabinet. Next door is the study where Ruskin worked which contains a painting by Samuel Prout.
A turnpike road from Lancaster to Hornby and Kirkby Lonsdale, the A683, was constructed in 1812, bypassing the old route through Brookhouse and Caton Green. [5] This road connects Caton to the M6 motorway to the west. Caton railway station was opened in 1850 on the "Little" North Western Railway between Wennington and Lancaster and closed in ...
Kirkby Lonsdale is a civil parish in the Westmorland and Furness district of Cumbria, England. It contains 163 listed buildings that are recorded in the National Heritage List for England. Of these, two are listed at Grade I, the highest of the three grades, four are at Grade II*, the middle grade, and the others are at Grade II, the lowest grade.
Kirkby is a town in the Metropolitan Borough of Knowsley, Merseyside, England. It contains 15 buildings that are recorded in the National Heritage List for England as designated listed buildings . Of these, one is listed at Grade II*, the middle of the three grades, and the others are at Grade II, the lowest grade.
Oct 27, 2024; Tampa, Florida, USA; Atlanta Falcons quarterback Kirk Cousins (18) gets sacked by C.J. Brewer (95)in the second half at Raymond James Stadium.
Modern Painters (1843–1860) is a five-volume work by the Victorian art critic John Ruskin, begun when he was 24 years old based on material collected in Switzerland in 1842. [1] Ruskin argues that recent painters emerging from the tradition of the picturesque are superior in the art of landscape to the old masters.