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"The Hymn of Joy" [1] (often called "Joyful, Joyful We Adore Thee" after the first line) is a poem written by Henry van Dyke in 1907 in being a Vocal Version of the famous "Ode to Joy" melody of the final movement of Ludwig van Beethoven's final symphony, Symphony No. 9.
Jahn's verses [7] [8] express a close, friendly, and familiar friendship with Jesus, who gives life to the poet. It has been noted that the original German hymn was characteristically a lively hymn of praise, which is carried over somewhat into Bach's arrangement; whereas a slower, more stately tempo is traditionally used with the English version.
The Carter hymn is also titled "I Am the Lord of the Dance" [8] and "I Danced in the Morning". [9] In 1996, the Carter hymn was adapted without authorization or acknowledgments of the origins of the tune or Carter's lyrics by Ronan Hardiman for Michael Flatley's dance musical, Lord of the Dance.
"A Song of Joy" ("Himno de la alegría") is the title of a popular rock song by the Spanish singer and actor Miguel Ríos. It is set to the tune of the Ninth Symphony by Ludwig van Beethoven , as arranged by Waldo de los Ríos , who specialized in arranging classical music to contemporary rhythms. [ 1 ]
Come My Way, My Truth, My Life; Come, rejoice Before Your Maker; Come, Thou Holy Spirit, Come; Come To Me; Come To My Mercy; Come, Ye Faithful, Raise the Strain; Comfort, Comfort Ye My People; Conditor alme siderum; Creator of the Earth and Skies; Creator Spirit, By Whose Aid; Crown Him With Many Crowns; Cry Out With Joy; Come Lord, Maranatha
This hymnal "consisted entirely of versions of Latin hymns, designed for use as Office hymns within the Anglican Church despite the fact that Office hymns had no part in the authorized liturgy. The music was drawn chiefly from plainchant", as was the case with the Veni Emmanuel tune for "O Come, O Come Emmanuel", the combination of which has ...
"Lord of all Hopefulness" is a Christian hymn written by English writer Jan Struther, which was published in the enlarged edition of Songs of Praise [1] (Oxford University Press) in 1931. The hymn is used in liturgy, at weddings and at the beginning of funeral services, and is one of the most popular hymns in the United Kingdom. [2]
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.