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The poem is a dream vision; the first line reads "I wander all night in my vision". [6] At the beginning of the poem, the narrator is described as "Wandering and confused, lost to myself, ill-assorted, contradictory". In the dream, they travel to various places, visiting people as they are asleep.
This is a list of English poems over 1000 lines. This list includes poems that are generally identified as part of the long poem genre, being considerable in length, and with that length enhancing the poems' meaning or thematic weight. This alphabetical list is incomplete, as the label of long poem is selectively and inconsistently applied in ...
A Desultory poem, written on the Christmas Eve of 1794 "This is the time, when most divine to hear," 1794-6 1796 [Note 9] Monody on the Death of Chatterton. "O what a wonder seems the fear of death," 1790-1834 1794 The Destiny of Nations. A Vision "Auspicious Reverence! Hush all meaner song," 1796 1817 Ver Perpetuum. Fragment from an ...
This is a list of poems by Emily Dickinson. In addition to the list of first lines which link to the poems' texts, the table notes each poem's publication in several of the most significant collections of Dickinson's poetry—the "manuscript books" created by Dickinson herself before her demise and published posthumously in 1981; the seven ...
To Sleep (1) 1806 "O gentle sleep! do they belong to thee," Miscellaneous Sonnets: 1807 To Sleep (2) 1806 "Fond words have oft been spoken to thee, Sleep!" Miscellaneous Sonnets: 1807 To Sleep (3) 1806 "A flock of sheep that leisurely pass by," Miscellaneous Sonnets: 1807 Michael Angelo in reply to the passage upon his Statue of Night sleeping 1806
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"O Death Rock Me Asleep" is a Tudor-era poem, traditionally attributed to Anne Boleyn. It was written shortly before her execution in 1536. It was written shortly before her execution in 1536. Anne Boleyn in the Tower of London ( Édouard Cibot , 1835)
In popular music, especially country music, a recitation song or "recitation" as it is more commonly called, is a spoken narrative of a song, generally with a sentimental (or at times, religious) theme. Such numbers were quite popular from the 1930s into the 1960s, although there were only few in number.