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Armstrong's manager, Joe Glaser, changed the Armstrong big band on August 13, 1947, into a six-piece traditional jazz group featuring Armstrong with (initially) Teagarden, Earl Hines and other top swing and Dixieland musicians, most of whom were previously leaders of big bands.
Photo of Armstrong in 1936. The Louis Armstrong Hot Five and Hot Seven Sessions were recorded between 1925 and 1928 by Louis Armstrong with his Hot Five and Hot Seven groups. . According to the National Recording Registry, [1] "Louis Armstrong was jazz's first great soloist and is among American music's most important and influential figu
The Hot Five was Louis Armstrong's first jazz recording band led under his own name. It was a typical New Orleans jazz band in instrumentation, consisting of trumpet, clarinet, and trombone backed by a rhythm section.
In July 2023, the Louis Armstrong Centre opened across the street. It was built to house a 60,000-item archive (including 5,000 photographs, 650 recordings and five gold-plated trumpets) relating ...
Louis Armstrong (1901–1971), nicknamed Satchmo [1] or Pops, was an American trumpeter, composer, singer and occasional actor who was one of the most influential figures in jazz and in all of American popular music. His career spanned five decades, from the 1920s to the 1960s, and different eras in jazz.
Swing musicians Louis Armstrong and Duke Ellington are the central figures. [4] Several episodes discussed the later contributions of Charlie Parker and Dizzy Gillespie to bebop, and of Miles Davis, Ornette Coleman, and John Coltrane to free and cool jazz. Of this 10-part documentary surveying jazz in the years from 1917 to 2001, all but the ...
The Real Ambassadors is a jazz musical developed in the late 1950s and early 1960s by Dave and Iola Brubeck, in collaboration with Louis Armstrong and his band. It addressed the Civil Rights Movement, the music business, America's place in the world during the Cold War, the nature of God, and a number of other themes.
After hearing cornetist Louis Armstrong (then around 20 years old) in New Orleans while on tour in April 1922, Henderson sent him an offer, but Armstrong refused because Henderson would not hire Zutty Singleton as well. [12] Henderson's activities up to the end of 1923 were mainly recording dates for Black Swan and other labels. [4]
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