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Ahubudu was the second of the three children of the family of Devundara Devamanimendra Heronis De Silva and Wathugedara Laisohami. The child was named as Ariyasena Arsuboda by parents, which he later converted to fairly pure Sinhala name Arisen Ahubudu. He married Sanda Ahubudu on 8 August 1953 and they have one daughter Sanda Samathi Ahubudu. [2]
By the beginning of the 1960s, the Hela Hawula was the strongest force in the country in terms of the Sinhala language and literature. [11] At that time the 'Hela Havula' had branches not only in Ahangama, Unawatuna, Rathgama, Galle, Kalutara and Kandy but also in schools such as Mahinda College in Galle and S. Thomas' College, Mount Lavinia .
Initially titled as Samanala Uyana by director, popular poet Arisen Ahubudu found that the name was inauspicious. [8] In December 2003, a book titled “Lankeeya Cinemawe Sakman Maluwa” was published by young film critique, Ajith Galappaththi on the film to celebrate 75th anniversary of Ceylon Theatres. [ 9 ]
He taught Sinhala, Buddhism and History. As a Sinhala teacher he was a considered to have been at the forefront of the post independence renaissance in teaching of the Sinhala language and literary activities with the assistance of Arisen Ahubudu , Sandadas Coperehewa and GL Jinadasa.
Then veteran lyricist Arisen Ahubudu wrote two songs for Rathnayake, Sende Binde Mohaduru Paapa and Golu Muhude Muthu Aete. He sang two songs in his maiden musical show as a professional artist. Mahagama Sekara was the first person to introduce Ratnayake into playback singing.
The music in the film was composed by Sunil Santha, a pioneer in Sinhala music. Jothipala's Puruthugeesikaraya was a hit.also, Ko Hathuro musical track was also a hit. [2] The lyrics were composed by Arisen Ahubudu. [3]
Widanelage Dharmaratna Ariyasinghe, (16 March 1956 – 9 November 2020, Sinhala: ඩබ්. ඩී. ආරියසිංහ), popularly as W. D. Ariyasinghe, was a Sri Lankan singer, musician and a composer. [1] [2]
Primarily using traditional instruments like sitars, tablas and harmoniums, he incorporated Sinhala folk music with Indian ragas in his work. [5] Many consider his contribution to the development of Sinhala music as unmatched; hence, he is occasionally cited as the "Maestro of Sri Lankan Music" ( Sinhala : හෙළයේ මහා ...