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Psalm 98 is the 98th psalm of the Book of Psalms, beginning in English in the King James Version: "O sing unto the Lord a new song; for he hath done marvellous things".The Book of Psalms starts the third section of the Hebrew Bible, and, as such, is a book of the Christian Old Testament.
"Joy to the World" is an English hymn. It was written in 1719 by the English minister and hymnist Isaac Watts. The carol is usually sung to the American composer Lowell Mason's 1848 arrangement of a tune attributed to George Frideric Handel. The hymn's lyrics are a Christian reinterpretation of Psalm 98 and Genesis 3.
" Nun singt ein neues Lied dem Herren" (Now sing a new song to the Lord) is a Christian hymn with German text by Georg Thurmair. He based it on Psalm 98 and wrote it in 1967 to match a traditional 16th-century melody. The song is part of German hymnals, including Gotteslob, and songbooks.
"Viderunt omnes" is a Gregorian chant based on Psalm XCVIII (98), sung as the gradual [1] at the Masses of Christmas Day and historically on its octave, the Feast of the Circumcision. Two of the many settings of the text are famous as being among the earliest pieces of polyphony by known composers, Léonin and Pérotin of the Notre Dame school.
The text of the antiphon is taken from Isaiah 9:6, while the psalm verse is verse 1 from Psalm 98, "Sing a new song to the Lord". [2] Puer natus est nobis,
A psalm of praise to the holy and mighty God who is known throughout all the earth. People: יהוה YHVH God. Related Articles: Psalm 98 - Divine judgment. English Text: American Standard - Douay-Rheims - Free - King James - Jewish Publication Society - Tyndale - World English - Wycliffe
Sing(e)t dem Herr(e)n ein neues Lied is German for "sing unto the Lord a new song". The German expression may refer to: Psalm 96, "O sing unto the Lord a new song: sing unto the Lord, all the earth" Psalm 98, "O sing unto the Lord a new song; for he hath done marvellous things" Psalm 149, "... Sing unto the Lord a new song, and his praise in ...
Biblical Songs was written between 5 and 26 March 1894, while Dvořák was living in New York City. It has been suggested that he was prompted to write them by news of a death (of his father Frantisek, or of the composers Tchaikovsky or Gounod, or of the conductor Hans von Bülow); but there is no good evidence for that, and the most likely explanation is that he felt out of place in the ...