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By any means necessary is an English phrase, or a translation of a French phrase that has been attributed to at least three ... Act 5, scene 3. 1948 (1963 translation ...
Don Carlos [1] is an 1867 five-act grand opera composed by Giuseppe Verdi to a French-language libretto by Joseph Méry and Camille du Locle, based on the 1787 play Don Karlos, Infant von Spanien (Don Carlos, Infante of Spain) by Friedrich Schiller and several incidents from Eugène Cormon's 1846 play Philippe II, Roi d'Espagne. [2]
It takes place in the beginning of the fifth scene of Act 5, during the time when the Scottish troops, led by Malcolm and Macduff, are approaching Macbeth's castle to besiege it. Macbeth, the play's protagonist, is confident that he can withstand any siege from Malcolm's forces. He hears the cry of a woman and reflects that there was a time ...
Libretto (in English) Synopsis (in German, English, French, Italian), libretto (in German, English, French) Faust: Scores at the International Music Score Library Project; Visual documentation of the premiere and later Parisian performances of Faust on Gallica. "Mon coeur est penetre d'epouvante" (My heart is overcome with terror), from act 5
Censorship of the play Dom Juan or The Feast of Stone (1665), by Molière, is documented in the article La scène du pauvre, Paris 1682, dans ses deux états.. Dom Juan or The Feast of Stone (1665) presents the story of the last two days of life of the Sicilian courtier Dom Juan Tenorio, who is a young, libertine aristocrat known as a seducer of women and as an atheist.
Hamlet, act 5, scene 2, [8] c.f. In paradisum: Alleluia. Remember me, O Lord, when you come into your kingdom. O thou who reignest over life and death, in the courts of thy Saints grant rest unto him [her] whom thou hast removed from temporal things. And remember me also, when thou comest into thy kingdom. Orthodox funeral service, [9] Luke 23: ...
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Nathan the Wise; a dramatic poem in five acts, translated into English verse by Bayard Quincy Morgan. New York, Ungar, 1955. Morgan's translation was subsequently collected in Nathan the Wise, Minna von Barnhelm, and Other Plays and Writings, edited by Peter Demetz with a Foreword by Hannah Arendt. New York: Continuum, 1991.