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Revelations "Take me to the Water" performed by Alvin Ailey Dance Theater in 2011. Revelations is the best-known [1] work of the modern dance choreographer Alvin Ailey.It is also the signature work of the Alvin Ailey American Dance Theater, which premiered an extended version of the work (lasting over an hour) [2] in 1960, when Ailey was 29 years old.
In 1975, Ailey restaged Revelations for nineteen dancers for a staging at the New York State Theater from August 12 to 24. [16] While Ailey choreographed more than 100 ballets for his dancers, he insisted that the company perform pieces by other choreographers rather than stand as a singular vehicle for his voice.
Founded in 1958, the Alvin Ailey American Dance Theater (AAADT) is the largest modern dance company in the United States. [2] Based in New York City, the company was founded by Presidential Medal of Freedom recipient Alvin Ailey (1931-1989), a noted choreographer and dancer.
Alvin Ailey Jr. was an American dancer, director, choreographer and activist who founded the Alvin Ailey American Dance Theater.. Ailey is one of the most important choreographers in the history ...
Judith Ann Jamison (/ ˈ d ʒ æ m ɪ ˌ s ə n /; [2] May 10, 1943 – November 9, 2024) was an American dancer and choreographer. She danced with the Alvin Ailey American Dance Theater from 1965 to 1980 and was Ailey's muse.
Alvin Ailey made "Rocka My Soul in the Bosom of Abraham" [4] the music for the triumphant finale of his internationally known choreography Revelations, which was born out of the choreographer's "blood memories" of his childhood in rural Texas and attending the Baptist Church with his mother. [5]
Swift also breaks down the choreography of “Mastermind,” noting that she signals her dancers to move to different spots on a chessboard throughout the song until “they actually create the ...
Malusardi was then included in the "junior" company by Alvin Ailey himself, earning main roles in Revelations, Wade in the Water, and Fix Me Jesus. In 1975 she won the Capezio award. In 1976, not being included in the Ailey's "senior" company, she moved back to Rome, where she attended the Centro Internazionale di Danza.