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"In the Morning" is a song recorded by American entertainer Jennifer Lopez. It was written by Daniel Rondon, Jackson Foote, James Abrahart, Lopez, Jeremy Dussolliet, Johnny Simpson, Patrick Ingunza, and Tim Sommers, while the production was handled by Foote and Simpson.
J. Cole initially recorded the song in 2007, before his record deal. He released it on his mixtape sampler, "The Warm Up to the Warm Up", released prior to "The Warm Up". [1] Cole met Drake in Los Angeles, through record producer Chase N. Cashe. During what he called "the No I.D. sessions, my first time working on the album, like two years ago ...
"In the Morning" received mixed reviews from music critics who found it reminiscent of songs from Up All Night but were put off by Johnny Borrell's performance. Paul Stokes of NME praised the song's instrumentation and lyricism for its depiction of a hangover after a big party, saying that it "sets the tone for Razorlight to sound like the classic rock’n’roll band they always imagined in ...
"The Morning" is a song by the Canadian singer-songwriter the Weeknd which serves as the fourth track from his debut mixtape, House of Balloons (2011). It was written by the Weeknd alongside its producers, Doc McKinney and Illangelo. In 2012, the song was remastered and released on the Weeknd's compilation album, Trilogy (2012).
Image credits: Sasha Weilbaker #3 Wetsuits. Unlike whales, beavers don’t have layers of blubber to keep them warm when they dive into chilly water. Instead, their thick fur traps air among the ...
"Float On" is a 1977 song by the R&B/soul group the Floaters. The spoken verses combine two popular trends from the time, star signs and video and phone dating , in lines such as Aquarius and my name is Ralph / Now I like a woman who loves her freedom and Cancer and my name is Larry / And I like a woman that loves everything and everybody .
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"In the Morning" was written by Park Jin-young, Kass, Danke and Lyre. The song is a "powerful" hip hop track with an "addictive" dance-trap composition, heightening the track's core concepts of ambiguity and suspense. [11] [1] [2] The track's chorus sees the group explore various vocal styles backed by a "trippy" synth. [2]