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"Seasons of Love" is a song from the 1996 Broadway musical Rent, written and composed by Jonathan Larson. The song starts with an ostinato piano motif, which provides the harmonic framework for the cast to sing "Five hundred twenty-five thousand, six hundred minutes" (the number of minutes in a common year).
Rent (stylized in all caps) is a rock musical with music, lyrics, and book by Jonathan Larson. [1] Loosely based on the 1896 opera La bohème by Giacomo Puccini, Luigi Illica, and Giuseppe Giacosa, it tells the story of a group of impoverished young artists struggling to survive and create a life in Lower Manhattan's East Village, in the thriving days of the bohemian culture of Alphabet City ...
While many were flurrying to social media to share their top songs and artists in 2023, NJ took a more competitive spin on the trend. "You spent 525,600 minutes this year stuck behind Pennsylvania ...
Rent: Filmed Live on Broadway is a 2008 film of the final performance of the original Broadway production of the musical Rent on September 7, 2008, with some footage of the closing night celebration.
A surprisingly light look back at one of America's darkest days. #Colbert #Comedy #ColdOpens
Lyrics by Mike Portnoy; Before each stanza in the lyrics, Mike Portnoy says a scale degree. In each stanza, a song from Octavarium is referenced, and an audio clip from that song is played in the background. As this part progresses, the guitar and drum rhythm starts to intensify after each stanza. [5] Mike Portnoy says "Root"
"A Thousand Miles" is a piano-driven pop song supported by a string orchestral arrangement. Carlton says that the song was inspired by a crush she had on a Juilliard student (who is now a "very famous actor") whom she met while she was attending the School of American Ballet.
I got 25 minutes to go. And the whole town's waitin' just to hear me yell. I got 24 minutes to go. And so on. The song is similar in concept to Silverstein's children's song "Boa Constrictor": It presents the point of view of someone who is experiencing a calamity in real time, composing and singing as the events unfold, with a fatal conclusion.