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The Bends is the second studio album by the English rock band Radiohead, released on 13 March 1995 by Parlophone.It was produced by John Leckie, with extra production by Radiohead, Nigel Godrich and Jim Warren.
Their second album, The Bends, released in March 1995, reached number four in the UK and is certified triple platinum. [1] Radiohead's third album, OK Computer, was released in May 1997. It remains their most successful album, reaching number one in the UK and Ireland and the top 10 in several other countries.
The Bends reached number 88 on the US album charts, and remains Radiohead's lowest showing there. [34] Jonny Greenwood later said The Bends was turning point for Radiohead: "It started appearing in people's [best-of] polls for the end of the year. That's when it started to feel like we made the right choice about being a band."
"The Bends" is one of Radiohead's most performed songs and was described as a fan favourite by New York. [103] [104] It was the first song Radiohead performed from The Bends. [105] The song was first performed at King Tut's Wah Wah Hut in Glasgow, Scotland in May 1992, four months before the band began recording Pablo Honey. [59]
The Bends, a 1995 studio album by Radiohead "The Bends" (song), a 1995 song by Radiohead "The Bends", a song by Mr. Bungle from the 1995 album Disco Volante "The Bends", a song by Earl Sweatshirt from the 2018 album Some Rap Songs
Radiohead, "I Might Be Wrong" (2001) Gorgeous, moody ballads and artful rock dodges mark this document of Radiohead's touring behind "Kid A" and "Amnesiac." A recording from Oslo, Norway supplied ...
The festive first look begins with a glimpse of Bailey channeling Diana Ross as she sings “Stop! In the Name of Love” by The Supremes before she and Robinson explain why music fans should tune in.
[5] [6] The Bends (1995) marked a move toward "anthemic rock", [5] with more cryptic lyrics about social and global topics, and elements of Britpop. [ 5 ] [ 7 ] [ 8 ] OK Computer (1997), the first Radiohead album produced by Godrich, [ 9 ] features more abstract lyrics that reflected themes of modern alienation , [ 10 ] and subtle, complex and ...
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