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In other words, hankering remains in spiritual life, but it becomes purified. When our senses are purified, they become freed from all material stages, namely anna-maya, prāṇa-maya, mano-maya and vijñāna-maya, and they become situated in the highest stage — ānanda-maya, or blissful life in Kṛṣṇa consciousness.
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A kosha (also kosa; Sanskrit कोश, IAST: kośa), usually rendered "sheath", is a covering of the Atman, or Self according to Vedantic philosophy. The five sheaths, summarised with the term Panchakosha, are described in the Taittiriya Upanishad (2.1-5), [1] [2] and they are often visualised as the layers of an onion. [3]
Jnana is knowledge or understanding of the truth particularly in a spiritual context about reality (non-theistic schools) or a supreme being (theistic schools). [15] In Hinduism, it is knowledge which gives Moksha, or spiritual liberation while alive or after death (videhamukti). [5] Jñāna yoga is the path towards attaining jnana.
Anandamayi Ma (born Nirmala Sundari; 30 April 1896 – 27 August 1982) was an Indian saint, teacher, and mystic.She was revered as an incarnation of Hindu goddess Durga. [2] [3] [4]
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In Indian aesthetics, a rasa (Sanskrit: रस) literally means "juice, essence or taste". [1] [2] It is a concept in Indian arts denoting the aesthetic flavour of any visual, literary or musical work that evokes an emotion or feeling in the reader or audience, but cannot be described. [2]