Search results
Results from the WOW.Com Content Network
The first section applies thermographic/embossing powder, made from plastic resins, to the substrate (normally paper). The areas selected for raised printing are printed with slow-drying inks that do not contain dryers or hardeners so that they remain wet during the application of powder.
Most types of paper can be embossed, and size is not normally a consideration. Embossing without ink, so that the image is raised but not colored, is called "blind embossing". Embossing used in conjunction with ink, so that the raised area is coloured, is called "colour register embossing".
A stereotype mold ("flong") being made Stereotype casting room of the Seattle Daily Times, c. 1900. In printing, a stereotype, [note 1] stereoplate or simply a stereo, is a solid plate of type metal, cast from a papier-mâché or plaster mould taken from the surface of a forme of type.
The general form of letterpress printing with a platen press shows the relationship between the forme (the type), the pressure, the ink, and the paper. Letterpress printing is a technique of relief printing for producing many copies by repeated direct impression of an inked, raised surface against individual sheets of paper or a continuous roll ...
The compositor takes the pieces of type from the boxes (compartments) of the type case and places them in the composing stick, working from left to right and placing the letters upside-down with the nick to the top. Early composing sticks were made of wood, but later iron, brass, steel, aluminium, pewter and other metals were used.
The resulting sorts or slugs are later used to press ink onto paper. Normally the typecasting machine would be controlled by a keyboard or by a paper tape. It was the standard technology used for mass-market printing from the late nineteenth century until the arrival of phototypesetting and then electronic processes in the 1950s to 1980s. [1 ...
Woodblock printing had been known in China for centuries. It was innovations in type casting that made for Gutenberg's breakthrough of commercially printing. [1] Although using matrices was a technique known well before his time, Johannes Gutenberg adapted their use to a conveniently adjustable hand mould, enabling one to easily and accurately cast identical multiple instances of any character.
A braille embosser showing some pages created on it. A braille embosser is an impact printer that renders text as tactile braille cells. Using braille translation software, a document or digital text can be embossed with relative ease.