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This painting was documented by Hofstede de Groot in 1914, who wrote: 158. HEAD OF CHRIST. B.-HdG. 413. Turned three-quarters left. The head is slightly inclined. Long dark curls and a short full beard. In a reddish-brown cloak. Half-length, without the hands, about half life size. Painted about 1656-58. Oak panel, 10 inches by 8 inches.
Nativity images became increasing popular in panel paintings in the 15th century, although on altarpieces the Holy Family often had to share the picture space with donor portraits. In Early Netherlandish painting the usual simple shed, little changed from Late Antiquity, developed into an elaborate ruined temple, initially Romanesque in style ...
The Head of Christ, also called the Sallman Head, is a 1940 portrait painting of Jesus of Nazareth by Warner Sallman (1892–1968). As an extraordinarily successful work of Christian popular devotional art, [1] it had been reproduced over half a billion times worldwide by the end of the 20th century. [2]
A face was constructed using forensic anthropology by Richard Neave, a retired medical artist from the Unit of Art in Medicine at the University of Manchester. [81] The face that Neave constructed suggested that Jesus would have had a broad face and large nose, and differed significantly from the traditional depictions of Jesus in renaissance ...
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Holy Face of Jesus (or The Veil of Veronica) is a 1586–1595 painting by El Greco of the Holy Face of Jesus on a veil. It is now in the Museo del Prado, in Madrid, which acquired it in 1944 using funds from a legacy from the conde de Cartagena.
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In many cultures, several pareidolic images of a human face, head or body are recognized in the disc of the full moon; they are generally known as the Man in the Moon. The images are based on the appearance of the dark areas (known as lunar maria) and the lighter-colored highlands (and some lowlands) of the lunar surface.
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