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Kishwar Naheed (Urdu: کشور ناہید) (born 18 June 1940) [1] is a feminist Urdu poet and writer from Pakistan. She has written several poetry books. She has written several poetry books. She has also received awards including Sitara-e-Imtiaz for her literary contribution to Urdu literature .
Compound verbs, a highly visible feature of Hindi–Urdu grammar, consist of a verbal stem plus a light verb. The light verb (also called "subsidiary", "explicator verb", and "vector" [ 55 ] ) loses its own independent meaning and instead "lends a certain shade of meaning" [ 56 ] to the main or stem verb, which "comprises the lexical core of ...
The kinship terms of Hindustani (Hindi-Urdu) differ from the English system in certain respects. [1] In the Hindustani system, kin terms are based on gender, [2] and the difference between some terms is the degree of respect. [3] Moreover, "In Hindi and Urdu kinship terms there is clear distinction between the blood relations and affinal ...
Rekhti (Urdu: ریختی, Hindi: रेख़ती), is a form of Urdu feminist poetry.A genre developed by male poets, [1] it uses women's voices to talk about themselves. [2] [3] [4] It was formed in 19th-century Lucknow, then part of the State of Awadh (now in Uttar Pradesh, India). [1]
Hindi-Urdu, also known as Hindustani, has three noun cases (nominative, oblique, and vocative) [1] [2] and five pronoun cases (nominative, accusative, dative, genitive, and oblique). The oblique case in pronouns has three subdivisions: Regular, Ergative , and Genitive .
Zenana (Persian: زنانه, "of the women" or "pertaining to women"; [1] Urdu: زنانہ; Bengali: জেনানা; Hindi: ज़नाना) is the part of a house belonging to a Muslim family in the Indian subcontinent, which is reserved for the women of the household. [2]
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The Urdu ghazal is a literary form of the ghazal-poetry unique to the Indian subcontinent, written in the Urdu standard of the Hindostani language. It is commonly asserted that the ghazal spread to South Asia from the influence of Sufi mystics in the Delhi Sultanate .