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Folk costume, traditional dress, traditional attire or folk attire, is clothing associated with a particular ethnic group, nation or region, and is an expression of cultural, religious or national identity. If the clothing is that of an ethnic group, it may also be called ethnic clothing or ethnic dress.
Women's dresses are also called galabiya. Dress in the Delta is usually loose with a yoke, but in Middle Upper Egypt women's dresses are typically waisted. Deep Upper Egyptian dresses may be loose or waisted depending on ethnicity. In the Delta, women's dress is distinguished from different parts of it by decorations.
Cheongsam (UK: / tʃ (i) ɒ ŋ ˈ s æ m /, US: / tʃ ɔː ŋ ˈ s ɑː m /) or zansae, also known as the qipao (/ ˈ tʃ iː p aʊ /) and sometimes referred to as the mandarin gown, is a Chinese dress worn by women which takes inspiration from the qizhuang, the ethnic clothing of the Manchu people.
The sack-back gown or robe à la française was a women's fashion of 18th century Europe. [1] At the beginning of the century, the sack-back gown was a very informal style of dress. At its most informal, it was unfitted both front and back and called a sacque, contouche, or robe battante. By the 1770s the sack-back gown was second only to court ...
A young woman modelling a jūnihitoe. The jūnihitoe (十二単, lit. ' twelve layers '), more formally known as the itsutsuginu-karaginu-mo (五衣唐衣裳), is a style of formal court dress first worn in the Heian period by noble women and ladies-in-waiting at the Japanese Imperial Court.
Yoruba women's clothing is not only a form of dressing but also a form of expression and identity. The clothing reflects the personality, mood, taste, and creativity of the wearer. The clothing also conveys messages about the social status, marital status, age group, religious affiliation, and cultural affiliation of the wearer.
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Women often wore a top layer of the stola, for the rich in brocade. All of these, except the stola, might be belted or not. The terms for dress are often confusing, and certain identification of the name a particular pictured item had, or the design that relates to a particular documentary reference, is rare, especially outside the Court.
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