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John George Butler (born 16 May 1937) is a British author, YouTuber and retired farmer [1] living in Derbyshire. [2] A graduate of the University of Nottingham, [3] Butler is known for having written several books describing his experiences with meditation and spirituality gained through international travel and study, [4] and has accumulated over 200 thousand subscribers on his YouTube [5 ...
Maria "Masha" Viktorovna [a] [3] (Russian: Мари́я Викторовна; born July 22, 1986), known professionally as Gentle Whispering ASMR, is a Russian-American ASMR performer and YouTube personality. Her YouTube videos are considered to be among the most well-known and popular in the ASMR genre.
Spoken word has existed for many years; long before writing, through a cycle of practicing, listening and memorizing, each language drew on its resources of sound structure for aural patterns that made spoken poetry very different from ordinary discourse and easier to commit to memory. [2] "There were poets long before there were printing ...
She has participated in many poetry slams. In 2007 Kay made her television debut, performing the poem "Hands" on HBO's Def Poetry Jam. [7] She has performed at events and venues like the Lincoln Center, the Tribeca Film Festival, and at the United Nations where she was a featured performer for the launch of the 2004 World Youth Report.
It is also known as videopoetry, video-visual poetry, poetronica, poetry video, media poetry, or Cin(E)-Poetry depending on the length and content of the video work and the techniques employed (e.g. digital technology) in its creation. Video poetry is a wide-ranging category where very different typologies of works converge.
The earliest known English poem is a hymn on the creation; Bede attributes this to Cædmon (fl. 658–680), who was, according to legend, an illiterate herdsman who produced extemporaneous poetry at a monastery at Whitby. This is generally taken as marking the beginning of Anglo-Saxon poetry. [1]
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The collection deals with technology and language's relationship with technology, as well as themes of identity. [4] In Fields Magazine, Shannon Austin commented on the collection's treatment of language, writing that Choi "[...] plays with language, manipulating typical definitions, sentence structures, and grammatical rules in order to reject what we have come to think of as the norm".