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Classical guitar headstock. A headstock or peghead is part of a guitar or similar stringed instruments such as a lute, mandolin, banjo, ukulele and others of the lute lineage. . The main function of a headstock is to house the tuning pegs or other mechanism that holds the strings at the "head" of the instrument; it corresponds to a pegbox in the violin fami
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Kalamazoo is the name for two different lines of instruments produced by Gibson.In both cases Kalamazoo was a budget brand. The first consisted of such instruments as archtop, flat top and lap steel guitars, banjos, and mandolins made between 1933 and 1942, and the second, from 1965 to 1970, had solid-body electric and bass guitars.
The first banjo method was the Briggs' Banjo instructor (1855) by Tom Briggs. [36] Other methods included Howe's New American Banjo School (1857), and Phil Rice's Method for the Banjo, With or Without a Master (1858). [36] These books taught the "stroke style" or "banjo style", similar to modern "frailing" or "clawhammer" styles. [36]
At one end of the neck is the headstock, which contains the tuners. Headstocks most commonly have either a scroll shape (similar to the headstock of orchestral string instruments such as the violin), or a shape similar to that found on parlour guitars or banjos. To some extent, the shape of the headstock may be dictated by the style of tuners ...
Edgeoscopy is a method of identification through the examination of the unique details and characteristics found along the edges of individual fingerprint ridges. These characteristics are the result of the alignment and shape of the individual ridge units and the relationship between them, as well as the effects of pores that are close to the edge of the ridges.
Another pre-civil war banjo was made by A.B. Bullock in Rhode Island; the 1854-made fretless banjo has a metal body with bolts to adjust the tension of the skin head. [17] A post-Civil War banjo on display from the 1880s used a wooden hoop tacked to the instrument's body on the outside to adjust the skin-head's tension. [18]
They are differentiated from later Gibson banjos by their scarcity. Banjo sales plummeted during the Great Depression, for lack of buyers, and metal parts became scarce into the 1940s as factories shifted to support the war. [1] As parts became scarce, non-standard versions came out, made from a variety of leftover parts, called floor sweep ...