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With color film or video, a graduated neutral-density filter can achieve a similar effect, as can a polarizing filter. Using either of these filters can limit camera movement during a shot, as the axis of a graduated filter must match the horizon, and the effect of the polarizing filter changes as the axis of the camera lens moves relative to ...
The streetlight effect, or the drunkard's search principle, is a type of observational bias that occurs when people only search for something where it is easiest to look. [1] Both names refer to a well-known joke: A policeman sees a drunk man searching for something under a streetlight and asks what the drunk has lost.
A skilled photographer can manipulate how a viewer is likely to react to the content of a photo by manipulating the lighting. [6] When shooting outdoors, changing locations may be required, as well as waiting for the ideal time of day (or even the ideal time of year in some cases) for the lighting to create the desired impression in the photo.
This will limit the selection of shutter speeds, and may require the use of shades or reflectors to manipulate the light. It can also influence the time, location, and even orientation of the photo shoot to obtain the desired lighting conditions. Available light can often also produce a color cast with color photography.
The in-camera effect is defined by the fact that the effect exists on the original camera negative or video recording before it is sent to a lab or modified. Effects that modify the original negative at the lab, such as skip bleach or flashing, are not included. Some examples of in-camera effects include the following: Matte painting
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In television, film, stage, or photographic lighting, a fill light (often simply fill) may be used to reduce the contrast of a scene to match the dynamic range of the recording media and record the same amount of detail typically seen by eye in average lighting and considered normal. From that baseline of normality, using more or less fill will ...
Most films feature a combination of location and studio shoots; often, interior scenes will be shot on a soundstage while exterior scenes will be shot on location. Second unit photography is not generally considered a location shoot. Before filming, the locations are generally surveyed in pre-production, a process known as location scouting and ...