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The Way You Look Tonight. " The Way You Look To-night " is a song from the film Swing Time that was performed by Fred Astaire and composed by Jerome Kern with lyrics written by Dorothy Fields. It won the Academy Award for Best Original Song in 1936. [6][7] Fields remarked, "The first time Jerry played that melody for me I went out and started ...
help. " I Love You, California " is the state song and regional anthem of the U.S. state of California, originally published in 1913. It was adopted in 1951 and reconfirmed in 1987 as the official state song. The lyrics were written by Francis Beatty Silverwood (1863–1924), a Los Angeles clothier, [1][2] and the words were subsequently put to ...
Murs) by Busy P. "To Wichita Falls from L.A." by Roberta Sherwood. "Toluca Lake" by Gregg Karukas. "Tom Jones International" by Tom Jones. "Too Dumb for New York City" by Waylon Jennings. "Too Much Hollywood" by Axewitch. "Too Much Hollywood" by Bonfire (band) "Topanga" by David Soul. "Topanga" by Kathy Smith.
Recorded late into the production of Rowland's second solo album Ms. Kelly (2007), the song was released on March 13, 2007, as the lead single from the album. The artists co-wrote the song with its producers Sean Garrett, Polow da Don, Blac Elvis, and Jason Perry, with additional production from S-Dot. "Like This" is a R&B song, with its lyrics ...
I Love L.A. "I Love L.A." is a song by Randy Newman. It was originally released on his 1983 album Trouble in Paradise. The song is about Los Angeles, California, and its hook is its title, repeated, each time followed by an enthusiastic crowd cheering, "We love it!"
Saints of Los Angeles (song) " Saints of Los Angeles " is the Grammy -nominated first single from Mötley Crüe 's album of the same name. It was released on April 11, 2008, and started airing on radio stations on April 15 and charted at number 5 on the Hot Mainstream Rock Tracks. [1] In the original Gang Vocal version, found on the album, the ...
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Written and produced by Swift and Joel Little, "You Need to Calm Down" is a midtempo electropop and synth-pop song that is set over steady synth beats and has a refrain of ascending echoes. In the lyrics, Swift addresses Internet trolls and homophobes and voices her support for the LGBTQ+ community.