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The sonatas and partitas for solo violin (BWV 1001–1006) are a set of six works composed by Johann Sebastian Bach. They are sometimes referred to in English as the sonatas and partias for solo violin in accordance with Bach's headings in the autograph manuscript: "Partia" (plural "Partien") was commonly used in German-speaking regions during ...
Bach's autograph of Allemanda. The Partita No. 1 in B minor, BWV 1002 by Johann Sebastian Bach, is a piece for solo violin composed by 1720. [1] This partita is formed in the traditional way that consists of an allemande, a courante, sarabande and gigue in the baroque style, except that this work substitutes a bourrée (marked Tempo di Borea) for the more typical gigue.
BWV 1001 – Sonata No. 1 in G minor. BWV 1002 – Partita No. 1 in B minor. BWV 1003 – Sonata No. 2 in A minor. BWV 1004 – Partita No. 2 in D minor. BWV 1005 – Sonata No. 3 in C major. BWV 1006 – Partita No. 3 in E major. BWV 1006a – Suite in E major for solo lute (transcription of Partita No. 3 for solo violin, BWV 1006)
First page of J.S. Bach's Partita for Violin No. 3. Partita (also partie, partia, parthia, or parthie [1]) was originally the name for a single-instrumental piece of music (16th and 17th centuries), but Johann Kuhnau (Thomaskantor until 1722), his student Christoph Graupner, and Johann Sebastian Bach used it for collections of musical pieces, as a synonym for suite.
The Partita No. 3 in E major for solo violin, BWV 1006.1 (formerly 1006), [1] is the last work in Johann Sebastian Bach 's set of Sonatas and Partitas. It consists of the following movements: Preludio. Loure.
Manuscript of the first movement of BWV 1019, third version, copied by Johann Christoph Altnickol. The six sonatas for violin and obbligato harpsichord BWV 1014–1019 by Johann Sebastian Bach are works in trio sonata form, with the two upper parts in the harpsichord and violin over a bass line supplied by the harpsichord and an optional viola da gamba.
The Partita in A minor for solo flute, BWV 1013, is a partita in four movements composed by Johann Sebastian Bach. Its date of composition is uncertain, though on the basis of its advanced playing technique, which is more demanding than in the flute part for the Fifth Brandenburg Concerto , for example, it must have been written after 1723. [ 1 ]
At the very beginning of the movement, Ysaÿe directly quotes the beginning of Prelude from J. S. Bach's Partita No. 3 in E major for solo violin. Much like Bach's E major Prelude, the movement consists of virtuosic sixteenth notes throughout, yet Ysaÿe's use of chromatic tonality clearly sets the piece in the genre of early 20th century music.