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Tragedies written by Lucius Annaeus Seneca, who is also known as Seneca the Younger.Octavia is included in the category, as although it is very probably not by him, [1] it is usually included in collections of Seneca's plays, such as the Penguin Classics book of Seneca's plays, Four Tragedies and Octavia
While Seneca's plays evoke Aeschylus' Oresteia in narrative and characters, they also serve the important purpose of shedding light on unclear scenes in the original Agamemnon. Additionally, Seneca once again philosophizes the original story further, while adding more violently-detailed recounts of the murders that took place off-stage.
Lucius Annaeus Seneca the Younger (/ ˈ s ɛ n ɪ k ə / SEN-ik-ə; c. 4 BC – AD 65), [1] usually known mononymously as Seneca, was a Stoic philosopher of Ancient Rome, a statesman, dramatist, and in one work, satirist, from the post-Augustan age of Latin literature.
Thyestes is a first century AD fabula crepidata (Roman tragedy with Greek subject) of approximately 1112 lines of verse by Lucius Annaeus Seneca, which tells the story of Thyestes, who unwittingly ate his own children who were slaughtered and served at a banquet by his brother Atreus. [1]
Oedipus is a fabula crepidata (Roman tragic play with Greek subject) of c. 1061 lines of verse that was written by Lucius Annaeus Seneca at some time during the 1st century AD. It is a retelling of the story of Oedipus , which is better known through the play Oedipus Rex by the Athenian playwright, Sophocles .
Medea is a fabula crepidata (Roman tragedy with Greek subject) of about 1027 lines of verse written by Seneca the Younger. It is generally considered to be the strongest of his earlier plays. [1] It was written around 50 CE. The play is about the vengeance of Medea against her betraying husband Jason and King Creon.
Phaedra is a Roman tragedy written by philosopher and dramatist Lucius Annaeus Seneca before 54 A.D. Its 1,280 lines of verse tell the story of Phaedra, wife of King Theseus of Athens and her consuming lust for her stepson Hippolytus.
Translator R. Scott Smith wrote that Seneca's attempt in the work to weave two episodes together "means that the play is somewhat dissociated – a 'flaw' that critics have sometimes brought to bear against it", but stated that "in the place of unity, however, there is symmetry." [4]