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Mbira (/ ə m ˈ b ɪər ə / əm-BEER-ə) are a family of musical instruments, traditional to the Shona people of Zimbabwe.They consist of a wooden board (often fitted with a resonator) with attached staggered metal tines, played by holding the instrument in the hands and plucking the tines with the thumbs (at minimum), the right forefinger (most mbira), and sometimes the left forefinger.
The following variations are used: likimbe, likembe (Amba of Uganda and the Tabura of the Congo Basin), lulimba (Yao of Malawi, Tanzania and Mozambique), lukembe (Alur and Acholi of Uganda), irimba and kajimba (Makonde of Tanzania and Mozambique), itshilimba (Bemba of Zambia), karimba , kalimba and ikembe Bahutu of Rwanda and Burundi. There are ...
A Hugh Tracey treble kalimba. The kalimba is most similar to the mbira nyunga nyunga, but varies substantially from the more popular mbira dzavadzimu which is a fundamentally different instrument. Tracey was interested in the mbira, [3] the national instrument of Zimbabwe, which has been part of the music of the Shona people for hundreds of ...
Mbira – small pentatonic thumb piano. Koloko – Varieties of Sahelian lute. Varieties include the one-stringed 'Kolgo/Koliko' of Gur-speaking groups, the two-stringed 'Molo' of the Zabarma and Fulani minorities, or the two-stringed 'Gurumi' of the Hausa. Lunna/Kalangu – Varieties of Hourglass-shaped Talking drums.
The Array mbira / ə m ˈ b ɪər ə / is a handcrafted modern musical instrument with a unique harp- or bell-like sound. It is made in the United States by its inventor Bill Wesley and manufactured by Wesley with Patrick Hadley in San Diego, California, United States. Its development began in the 1960s. [1]
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The mbira (left) and the karimba or mbira nyunga nyunga in Tracey's hands. The spiritual center of the African lamellophone world is Zimbabwe. The instrument that Hugh Tracey had fallen in love with when he arrived in Africa in the 1920s was the mbira, a complex 24-note lamellophone used by the Shona people of Zimbabwe.
Mbira player with other musicians from 1865 book Mbira dzavadzimu Hosho commonly used to accompany mbira music. Though musicologist Hugh Tracey believed the mbira to be nearing extinction in the 1930s, the instrument has been revived since the 60s and 70s, and has gained an international following through the world music scene.
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