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Tláloc in the Codex Borgia Tláloc in the Codex Laud. Tláloc (Classical Nahuatl: Tláloc [ˈtɬaːlok]) [5] is the god of rain in Aztec religion.He was also a deity of earthly fertility and water, [6] worshipped as a giver of life and sustenance.
The Timoto–Cuica people worshiped idols of stone and clay, built temples, and offered human sacrifices. Until colonial times, children were sacrificed secretly in Laguna de Urao , Mérida . This was chronicled by Juan de Castellanos , who described the feasts and human sacrifices that were done in honour of Icaque , an Andean prehispanic goddess.
Cerro Tláloc features an enclosed precinct on its summit which could be reached through by taking a pathway up the mountain and entering the western side of the enclosure. The structure of the precinct consisted largely of pumice and tufa, which were locally found and were easily molded due to their soft physicality.
Tlaltecuhtli (Classical Nahuatl Tlāltēuctli, Nahuatl pronunciation: [t͡ɬaːl.teːkʷ.t͡ɬi]) is a pre-Columbian Mesoamerican deity worshipped primarily by the Mexica people. Sometimes referred to as the "earth monster," Tlaltecuhtli's dismembered body was the basis for the world in the Aztec creation story of the fifth and final cosmos. [ 5 ]
Few rock acts have gone out so on top as the Police did after releasing their final and most successful album 40 years ago. Synchronicity was the third-biggest album of 1983, selling 10 million ...
Outlandos d'Amour (Outlaws of Love) is the debut studio album by British rock band the Police, released on 17 November 1978 [4] by A&M Records.Elevated by the success of its lead single, "Roxanne", Outlandos d'Amour peaked at No. 6 on the UK Albums Chart and at No. 23 on the Billboard 200.
The English rock band the Police has released five studio albums, three live albums, seven compilation albums, fourteen video albums, four soundtrack albums and twenty-six singles. The Police sold over 75 million records worldwide, making them one of the best-selling music artists of all time.
It is a paradoxical but nonetheless true statement to say that the retro-leaning L.A. rock band Redd Kross was far ahead of their time — not just musically (the power-pop resurgence of the early ...