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Contemporary norms held that nuns were supposed to either remain in the convent or at least return by nightfall if they ventured out into the world. Consequently, when the Sisters applied for acceptance of their new Congregation, Archbishop de Quélen of Paris was skeptical. After persistent efforts by Potel, the Archbishop eventually granted ...
The nuns make several unsuccessful attempts to have the girls repent, one of which ends with Alucarda attempting to seduce Father Lázaro during confession. Lázaro and the nuns, horrified by this, engage in a mass flogging of each other as punishment for their failure to save the girls from demonic influence.
Exorcism of Madeleine Bavent. As in the Loudun possessions a decade prior, the exorcisms at Louviers were a public spectacle. Nearly every person present at the exorcisms was questioned by the inquisitors, and the entire town of Louviers began exhibiting symptoms of hysteria as the cries of the nuns undergoing exorcism rose with the screams of Father Boulle, who was tortured at the same time ...
Having survived an attack on her wagon train, and been accused of a crime she did not commit, Sister Thomas Josephine is forced to go on the run, and to team up with a series of outlaws, bandits and undesirables, [1] including the deserter outlaw Abraham Muir, a lovable rogue who tests her faith to the limit. Pursued by the relentless First ...
Mother Joan of the Angels (Polish: Matka Joanna od Aniołów, also known as The Devil and the Nun) is a 1961 Polish religious horror art film on demonic possession, directed by Jerzy Kawalerowicz, based on a novella of the same title by Jarosław Iwaszkiewicz, loosely based on the 17th century Loudun possessions. [1]
Keep reading to check out our top picks for Halloween movies streaming free on Kanopy. Find out if your library has Kanopy Five horror movies you can stream totally free with a library card this ...
Nunsploitation, along with nazisploitation, is a subgenre that ran a parallel course alongside women in prison films in the 1970s and 1980s. As with prison films, they are set in isolated, fortress-like convents where the all-female population turns to lesbianism and perversity.
[13] Scott Weinberg of Thrillist ranked the film #32 of the 40 best horror films of 2021 and wrote, "The film starts out as a somewhat traditional "possessed nun" story, but about halfway through it makes a sharp left turn and becomes a compelling character study about how an innocent young woman must contend with a trauma she can't explain."