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O Do Well Unto Thy Servant; My Soul Cleaveth To The Dust; Wipe Away My Sins; Forgive Me, Lord, My Sin; Blessed Are Those That Be Undefiled; Arise, O Lord, And Hear; With All Our Hearts; I Call And Cry To Thee; O Sacred And Holy Banquet; When Jesus Went Into Simon The Pharisee’s House; Blessed Be Thy Name; O Praise The Lord II; Sing and ...
sancta simplicitas: holy innocence: Or "sacred simplicity". sancte et sapienter: in a holy and wise way: Also sancte sapienter (holiness, wisdom), motto of several institutions, notably King's College London: sanctum sanctorum: Holy of Holies: referring to a more sacred and/or guarded place, within a lesser guarded, yet also holy location ...
Vouchsafe that I may praise thee, O sacred Virgin. ℟. Give me strength against thine enemies. Let us pray We beseech thee, O Lord, mercifully to assist our infirmity: that like as we do now commemorate Blessed Mary Ever-Virgin, Mother of God; so by the help of her intercession we may die to our former sins and rise again to newness of life.
2nd Chapter of Acts. Annie Herring – vocals, vocal arrangements; Nelly Greisen – vocals, vocal arrangements; Matthew Ward – vocals, vocal arrangements; Musicians. John Andrew Schreiner – keyboards, acoustic piano, instrumental arrangements
O sacrum convivium! ( Latin : O sacred banquet ) is a short offertory motet for four-part mixed chorus by French composer Olivier Messiaen , setting " O sacrum convivium ". It was composed and published in 1937.
The Yattendon Hymnal was a small but influential hymnal compiled by Robert Bridges and H. Ellis Wooldridge assisted by Monica Bridges for the Church of England parish church at Yattendon, Berkshire, England where Monica's family lived.
"Herzliebster Jesu" (often translated into English as "Ah, Holy Jesus", sometimes as "O Dearest Jesus") is a Lutheran Passion hymn in German, written in 1630 by Johann Heermann, in 15 stanzas of 4 lines, first published in Devoti Musica Cordis in Breslau. [1]
"Gelobet seystu Jesu Christ" in the Erfurt Enchiridion (1524) The hymn tune (Zahn No. 1947) [3] was first printed in Eyn geystlich Gesangk Buchleyn, a booklet of spiritual song, collected by Johann Walter but is attested also in the prayerbooks from the convent of Medingen and even appears on an antependium made by the nuns in the late 15th century. [4]