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Alexander is the debut studio album by American musician Alex Ebert, lead singer of Edward Sharpe and the Magnetic Zeros and Ima Robot. It was released on March 1, 2011 under the Community Records label. The song "Truth" was featured in the season 4 premiere of AMC's Breaking Bad titled "Box Cutter".
Edward Sharpe and the Magnetic Zeros was an American folk rock band formed in Los Angeles, California, in 2005.The group was led by singer Alex Ebert.The band's name is based on a story Ebert wrote in his youth, about a messianic figure named Edward Sharpe.
In 2011, Ebert released his first solo album, Alexander. He appeared on Conan on September 12, 2011, to promote his solo album. On August 4, 2015, it was announced that Ebert would appear as the lead singer on Avicii's single "For a Better Day" from his album Stories. "Feel the Bern" was added to Ebert's SoundCloud [11] on September 30, 2015 ...
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Alex Ebert and Jade Castrinos shared the vocals on the original recording of "Home" The song is a duet between Alex Ebert and Jade Castrinos, [2] with portions of spoken word from both. [3] Whistling is prominent in the song, [4] totaling three minutes [5] including the opening melody. [3] Instruments include guitar, piano, and trumpet.
Here is the second album from Edward Sharpe and the Magnetic Zeros.It was preceded by Up from Below.Recorded at Adios Studios, a.k.a. the Ed Shed in Ojai, California and at Studio in the Country in Louisiana, it was released on May 29, 2012 by Vagrant Records and Rough Trade Records.
"Sanctify" is a BDSM-referencing dance, dark pop, pop and R&B song, [7] with early 2000s pop music influences. [8] [9] Alexander told Beats 1: "Then the music side of it, I wanted something that felt like it could be Britney-era 'Slave 4 U' meets Timbaland or Neptunes... that's my favorite kind of stuff to listen to."
In 2009, Ebert added The Double Life of Veronique to his Great Movies list. Krzysztof Kieślowski's Dekalog and The Three Colours Trilogy are also on the list. [10] In his review for Empire magazine, David Parkinson called it "a film of great fragility and beauty, with the delicacy of the puppet theatre." He thought the film was "divinely ...