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The Nativity has been depicted in many different media, both pictorial and sculptural. Pictorial forms include murals, panel paintings, manuscript illuminations, stained glass windows and oil paintings. The subject of the Nativity is often used for altarpieces, many of these combining both painted and sculptural elements. Other sculptural ...
Mini Nativity Set. This handmade and hand-painted set includes 12 pieces: the Holy Family, Three Kings, and one each of camel, horse, elephant, kneeling angel, star, a gold leaf stand, and shelter.
Part of Kershisnik's Nativity. Nativity depicts the birth of Christ. Kershisnik painted Nativity in 2006 while he was a visiting professor at BYU. Kershisnik started the 17-foot-long (5.2 m) painting to create "something ambitious", after encouraging his students to do the same.
The composition draws much from the 1420 Nativity of van der Weyden's master, Robert Campin, in Dijon. The stable is a half-ruined thatched Romanesque building, rather than the traditional wooden hut, with stone walls and arched windows, and one prominent classical pillar, uniquely in van der Weyden's work shown in an oblique perspective view.
While scenes of the Nativity were sometimes depicted as taking place in a cave, and Kenneth Clark points to the existence of an earlier rocky landscape in an adoration painted for the Medici family by Fra Filippo Lippi, [28] the setting was unprecedented [1] and gave to the paintings their usual name of the Virgin of the Rocks.
Christus's earlier version of the Nativity, now at the Groeningemuseum in Bruges, is signed and dated 1452. [40] The Nativity's dating has long been a source of debate among scholars. Estimations range from the mid-1440s to the mid-1450s; early in Christus's career to about the time van der Weyden painted his c. 1455 Saint John Altarpiece.
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