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Carter Stanley joined the Blue Grass Boys as guitarist for a short time in 1951 during a period when The Stanley Brothers had temporarily disbanded. On January 16, 1953, Monroe was critically injured in a two-car wreck. [1] He and "Bluegrass Boys" bass player, Bessie Lee Mauldin, were returning home from a fox hunt north of Nashville. On ...
Larry Richardson (August 9, 1927- June 17, 2007) [1] was an American bluegrass and old time banjoist and guitarist from Galax, Virginia. [2] He is known for his work with the Lonesome Pine Fiddlers, Bill Monroe and His Bluegrass Boys, and the Blue Ridge Boys.
Amos Garren started his career with Bill Monroe & The Bluegrass Boys in August 1939, after "Snowball" Millard left the band in July to be with his wife who was expecting a baby. [3] The band praised Garren for his singing abilities. The band's gospel songs were given more attention by listeners because of the quartet style in which they were ...
Bill Monroe & His Bluegrass Boys 1950-72: MCA: 9269-71: 3 vol; Japanese issue - 1976: Bluegrass Special Vol.2: BS: 3: French issue 1976: Bill Monroe & His Bluegrass Boys Vol.1: CBS Sony: 20AP11: Japanese issue 1976: Bill Monroe & His Bluegrass Boys Vol.2: CBS Sony: 20AP12: Japanese issue 1976: New Greatest Hits: CBS Sony: 20AP27: Japanese issue ...
Davis was raised in Cullman, Alabama, in a musical family.His grandfather J.H. Bailey played banjo and fiddle. In the 1930s, his father Leddell Davis and uncles sang the "brother duets" music style (a forerunner of bluegrass music), and Davis's uncle Cleo Davis was a member of the first incarnation of Bill Monroe's Blue Grass Boys.
Stanley was born in Big Spraddle Creek in Dickenson County, Virginia.The son of Lucy and Lee Stanley, Carter grew up in rural southwestern Virginia.In 1946, he and his brother Ralph formed the Stanley Brothers, ultimately becoming one of the most respected and influential pioneering groups of a new genre that later came to be known as "bluegrass". [1]
In 1963 he became a member of Bill Monroe's Bluegrass Boys. [2] Keith's recordings and performances during these nine months with Monroe permanently altered banjo playing, and his style became an important part of the playing styles of many banjoists. After leaving the Bluegrass Boys, he joined the Jim Kweskin Jug Band playing plectrum banjo. [1]
She was one of the Bluegrass Boys from 1953–1964. [2] Bessie Lee Maudlin was a prolific contributor, as a member of Bill Monroe’s Blue Grass Boys. She played string bass on 35 of Monroe’s recording sessions, which amounted to 111 cuts, and no other musician or Blue Grass Boy contributed to more recordings, with the exception of Kenny ...
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related to: the bluegrass boys on discovery island book list