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"Shout! The Mod Musical Channels the Energy and Style of 60s London" from The Houston Press "'Shout!' Sings Its Way Back to the Mod Years" from The New York Times "Musical makes you 'Shout!,' pout" from Chicago Sun-Times "REVIEW:'Shout! the Mod Musical'" from Associated Press "Five Women in the Key of Lulu: Shout! The Mod Musical Gets NYC Run ...
The film stars Iggy Pop, Grace Jones, Henry Rollins, Lemmy, Nina Hagen, Tom Araya, Slash, Jesse Hughes, and Josh Homme and Justice. [1] The film is shot in black and white in the tradition of classic silent film of 1920's Hollywood, but instead of having backing piano music, a live rock group hammers out the accompanying soundtrack, whilst ...
The club attracted more than 300,000 customers over its lifespan; hours-long entry queues of hundreds of people were common. [2] Popscene's DJ sets laid the foundations for the rock/dance crossover of the next decade; the tagline on many of the distinctive flyers was "the dance club for people who like bands."
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The Cast Iron Shore (colloquially known as "the Cazzy") was a name given to the banks of the Mersey in south Liverpool due to the presence of an iron foundry. The Cast Iron Shore is mentioned in the Beatles ' song " Glass Onion ".
From the cast members and the host breaking to the content and the callbacks to an era we're so desperate to relive/remember, there's a lot to love about the skit,” he said.
Sub Pop 200 is a compilation released in the early days of the Seattle grunge scene (December 1988). [1] [2] It features songs (all of them first releases and some otherwise unattainable) from Tad, the Fluid, Nirvana, Steven "Jesse" Bernstein, Mudhoney, the Walkabouts, Terry Lee Hale, Soundgarden, Green River, Fastbacks, Blood Circus, Swallow, Chemistry Set, Girl Trouble, the Nights and Days ...
The song has since become a fan favourite and is still performed live. Retrospective critical reaction to "Popscene" has been positive. Jonathan Holden, writing in the Rough Guide To Rock, declared the single to be "excellent" and that its "punky, energetic and brass-fulfilled pop" was out of place in 1992. [12]