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Diamante's first widely released work was the 2017 single "Haunted". [4] Her debut album Coming in Hot was released under Better Noise Records on June 15, 2018. [5]In 2018, she provided guest vocals on the Bad Wolves song "Hear Me Now", from the band's debut album Disobey, which reached number one on active rock radio.
Glory of Love, 1968 studio album by Herbie Mann "Glory of Love" (Peter Cetera song), 1986; The Glory of Love, 1969 album of cover songs by Eddy Arnold "Glory of Love" (The Armoury Show song), 1985 "The Glory of Love" (Benny Goodman song), 1936, covered by multiple artists
Added tone chord; Altered chord; Approach chord; Chord names and symbols (popular music) Chromatic mediant; Common chord (music) Diatonic function; Eleventh chord
Fra Diamante (1430–1498), Italian fresco painter; Juan Bautista Diamante (1625–1687), Spanish dramatist; Diamante Medaglia Faini (1724–1770), Italian poet and composer; Diamante (wrestler, born 1992), also known as Luís Mante, Mexican luchador; Diamante (wrestler, born 1991), Cuban American professional wrestler
"Alive with the Glory of Love" is the first single from Say Anything's second album ...Is a Real Boy. "Alive with the Glory of Love" was released to radio on June 20, 2006. [ 5 ] The song was a hit for the band, charting at number twenty-eight on the Alternative Songs chart.
"Glory of Love" peaked at number one on the US Billboard Hot 100 chart on August 2, 1986, remaining in that spot for two weeks. It also spent five weeks atop the US adult contemporary chart . [ 4 ] Billboard ranked the power ballad [ 5 ] as number fourteen on the Top Pop Singles of 1986, [ 6 ] : Y-21 and number four on the Top Adult ...
In its simplest form, ChordPro is used to describe the relationship of chords to lyrics (i.e., where they belong in the song), song sections, and song metadata (i.e., information about the song). All ChordPro markup is optional; yet some elements are less optional than others if the objective is a useful and nicely formatted chord chart.
In jazz music, on the other hand, such chords are extremely common, and in this setting the mystic chord can be viewed simply as a C 13 ♯ 11 chord with the fifth omitted. In the score to the right is an example of a Duke Ellington composition that uses a different voicing of this chord at the end of the second bar, played on E (E 13 ♯ 11 ).
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