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Powell and Pressburger also co-produced a few films by other directors under The Archers' banner: The Silver Fleet (1943), written and directed by Vernon Sewell and Gordon Wellesley, based on a story by Pressburger, [7] and The End of the River (1947), directed by Derek N. Twist, to which both Powell and Pressburger contributed uncredited ...
This category contains films which were either written, produced and/or directed by the British-based film-makers Powell & Pressburger, usually together but also to cover their solo work. As such, it should not be moved to anything like Films directed by Powell and Pressburger or it won't cover many of the films listed.
Michael Latham Powell (30 September 1905 – 19 February 1990) was an English filmmaker, celebrated for his partnership with Emeric Pressburger.Through their production company The Archers, they together wrote, produced and directed a series of classic British films, notably The Life and Death of Colonel Blimp (1943), A Canterbury Tale (1944), I Know Where I'm Going!
Michael Powell and Emeric Pressburger US title: The Pursuit of the Graf Spee: 1957 Ill Met by Moonlight: Michael Powell and Emeric Pressburger for Rank Organisation Film Productions (and Vega Productions) US title: Night Ambush: 1959 Luna de Miel: Michael Powell Production for Suevia Films-Cesáreo González (Spain)/Everdene (GB) a.k.a ...
The Red Shoes is a 1948 British drama film written, produced and directed by Michael Powell and Emeric Pressburger. [4] It follows Victoria Page (Moira Shearer), an aspiring ballerina who joins the world-renowned Ballet Lermontov, owned and operated by Boris Lermontov (Anton Walbrook), who tests her dedication to the ballet by making her choose between her career and her romance with composer ...
Pressburger chose Kerr for the role despite the reservations of Powell, who felt she was too young for the part. [10] At one point, Powell considered Greta Garbo for the part. [10] Kerr was paid £16,000 for fifty-five days of work. [11] David Farrar was cast as Mr Dean, the virile British agent who becomes the object of Sister Ruth's obsession ...
Powell and Pressburger began to go their separate ways after the mid-1950s. They remained close friends but wanted to explore different things, having done about as much as they could together. Two of his later films were made under the pseudonym "Richard Imrie". Two novels by Pressburger were published.
Powell has stated that the idea was suggested by David Lean (then a film editor) who, when removing the scene from the film, mentioned that the premise of the conversation was worthy of a film. [10] Powell wanted Laurence Olivier (who had appeared in Powell and Pressburger's 49th Parallel and The Volunteer) to play Candy.
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