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Graining, wood graining, or faux bois (French for "fake wood") is often used to imitate exotic or hard-to-find wood varieties. Trompe-l'œil, "fool the eye" in French, is a realistic painting technique often used in murals, and to create architectural details as well as depth and 3 dimensionality.
Faux bois (from the French for false wood) refers to the artistic imitation of wood or wood grains in various media. The craft has roots in the Renaissance with trompe-l'œil . It was probably first crafted with concrete using an iron armature by garden craftsmen in France called " rocailleurs " using common iron materials: rods, barrel bands ...
Graining is the art of imitating the different types of natural wood grain. It ranges from simple Clair Bois to intricate English Walnut. The panelling of the great chamber of Theobalds House in England, used by James VI and I, was decorated in "walnut tree colour" in 1618 with highlighted mouldings in black and gold. [1]
[1] paint, wood finish top coat, [citation needed] wax, lacquer or varnish are commonly used. [2] The artisan or restorer is traditionally aiming for an improved or restored and renewed finish. However, there are a great variety of both traditional and modern finishes, including faux finishes, and distressing or
These patterns can be created using solid wood, engineered wood, or even faux wood tiles. They're particularly good at bringing depth, texture, and complexity to entryways, hallways, and open ...
Marbleizing (also spelt marbleising [1]) or faux marbling is the preparation and finishing of a surface to imitate the appearance of polished marble. It is typically used in buildings where the cost or weight of genuine marble would be prohibitive.
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Khokhloma (also Hohloma, Russian: хохлома; Russian pronunciation: [xəxɫɐˈma]) or Khokhloma painting (хохломская роспись, hohlomskaya rospis) is a style of Russian art traditionally painted on wooden household items. It is known for its curved linear features depicting vivid small flowers, berries, grasses, and leaf ...
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