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[5] After throwing eggs on Mao's portrait, Yu Zhijian was sentenced to life imprisonment, but was released in 2009 on bail. He eventually arrived in the United States in 2009 and obtained political asylum and settled in Indianapolis where he was also taking care of Yu Dongyue, who suffers from mental illness after torture in prison. [ 6 ]
Zhou Lingzhao was commissioned to paint the portrait of Mao Zedong at Tiananmen Square for the proclamation of the People's Republic of China on October 1, 1949. His portrait of Mao was replaced in May 1950 by a portrait made by Xi Mang. From 1950 to 1957, the portrait of Mao was modeled after Zhang Zhenshi's (1914–1992) depiction of Mao. [9 ...
Indeed, though miscellaneous local problems were exposed, opinions expressed in these big-character posters tended to be homogeneous in their unanimous support for Mao and the Party, and is thus similar to other forms of political propaganda. [48] Mao Zedong continued to promote the use of big-character posters in 1958 during the Great Leap ...
Mao's handwritten draft of "Bombard the Headquarters" Bombard The Headquarters – My Big-Character Poster (Chinese: 炮 打 司令部——我的一张大字报; pinyin: Pào dǎ sīlìng bù——wǒ de yī zhāng dàzì bào) was a short document written by Chairman Mao Zedong on August 5, 1966, during the 11th plenary session of the 8th Central Committee of the Chinese Communist Party, [1 ...
The Four Pests Campaign is representative of many of the overarching themes of Mao's Great Leap Forward. In order to expedite China's industrialization, and to achieve a socialist utopia, Mao sought to utilize China's natural and human resources. In this future utopia, cleanliness and hygiene would be critical. [13]
While the English word usually has a pejorative connotation, the Chinese word xuānchuán (宣传 "propaganda; publicity", composed of xuan 宣 "declare; proclaim; announce" and chuan 傳 or 传 "pass; hand down; impart; teach; spread; infect; be contagious" [5]) The term can have either a neutral connotation in official government contexts or a pejorative one in informal contexts.
However, Jiang Qing and Yao Wenyuan continued their denunciations. Meanwhile, Mao sacked Propaganda Department director Lu Dingyi, a Peng ally. [7]: 20–27 Lu's removal gave Maoists unrestricted access to the press. Mao delivered his final blow to Peng at a high-profile Politburo meeting through loyalists Kang Sheng and Chen Boda.
Chairman Mao en route to Anyuan is a 1967 oil painting by Liu Chunhua. It pictures a young Mao Zedong as one of the common people, ready to take on any obstacle that comes forth. This artwork is a strong example of Chinese communist propaganda and shows the devotion which their culture had to Chairman Mao.
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