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Jazz saxophonists are musicians who play various types of saxophones (alto saxophone, tenor saxophone, baritone saxophone etc.) in jazz and its associated subgenres. The techniques and instrumentation of this type of performance have evolved over the 20th century, influenced by both movements of musicians that became the subgenres and by particularly influential sax players who helped reshape ...
Jazz: Harry Arnold: 1920-1971 X Jazz: Harold Ashby: 1925-2003 X Jazz: Georgie Auld: 1919-1990 X Jazz: Albert Ayler: 1936-1970 X: X Jazz: Jerome Badini: X Nu jazz: Gabe Baltazar: 1929- X Jazz: Greg Banaszak: 1966- X X Classical: Linda Bangs: X Classical: Gato Barbieri: 1932-2016 X Jazz: Eddie Barefield: 1909-1991 X Jazz: Phillip Barham: 1957- X ...
Pages in category "American jazz tenor saxophonists" The following 176 pages are in this category, out of 176 total. This list may not reflect recent changes .
20 Saxophone. 21 Trombone. 22 Trumpet. 23 Tuba. 24 Vibraphone. 25 Violin. 26 Vocal. ... This is a list of jazz musicians by instrument based on existing articles on ...
In 1958, he appeared in Art Kane's A Great Day in Harlem photograph of jazz musicians in New York; [22] he is the last surviving musician from the photo. The same year, Rollins recorded another landmark piece for saxophone, bass and drums trio: Freedom Suite .
Charles Parker Jr. (August 29, 1920 – March 12, 1955), nicknamed "Bird" or "Yardbird", was an American jazz saxophonist, bandleader, and composer. [1] [2] Parker was a highly influential soloist and leading figure in the development of bebop, [3] a form of jazz characterized by fast tempos, virtuosic technique, and advanced harmonies.
John William Coltrane (September 23, 1926 – July 17, 1967) was an American jazz saxophonist, bandleader and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music.
Tom Scott's career began as a teenager as leader of the jazz ensemble Neoteric Trio, and the band Men of Note. [1] [3] After that, he worked as a session musician. In 1970, Quincy Jones said of him: "Tom Scott, the saxophonist; he's 21, and out of sight! Plays any idiom you can name, and blows like crazy on half a dozen horns." [4]