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Color symbolism in art, literature, and anthropology refers to the use of color as a symbol in various cultures and in storytelling. There is great diversity in the use of colors and their associations between cultures [1] and even within the same culture in different time periods. [2] The same color may have very different associations within ...
Color psychology is the study of colors and hues as a determinant of human behavior. Color influences perceptions that are not obvious, such as the taste of food. Colors have qualities that can cause certain emotions in people. [1] How color influences individuals may differ depending on age, gender, and culture. [2]
For many centuries, it was the most sought-after goal in alchemy. The philosopher's stone was the central symbol of the mystical terminology of alchemy, symbolizing perfection at its finest, divine illumination, and heavenly bliss. Efforts to discover the philosopher's stone were known as the Magnum Opus ("Great Work").
The amethyst is a brilliant transparent stone of a purple colour and varies in shade from violet purple to rose. There are two kinds of amethysts: the oriental amethyst, a species of sapphire that is very hard (cf. Heb.,hlm), and when colourless is almost indistinguishable from the diamond. The occidental amethyst is of the silex family and is ...
Effect of light from the rose window in Bari Cathedral, recurring in religious architecture to metaphorically allude to the spiritual light. [1]In theology, divine light (also called divine radiance or divine refulgence) is an aspect of divine presence perceived as light during a theophany or vision, or represented as such in allegory or metaphor.
Violet is the color of light at the short wavelength end of the visible spectrum. It is one of the seven colors that Isaac Newton labeled when dividing the spectrum of visible light in 1672. Violet light has a wavelength between approximately 380 and 435 nanometers. [2] The color's name is derived from the Viola genus of flowers. [3] [4]
Luminous gemstones. Folktales about luminous gemstones are an almost worldwide motif in mythology and history among Asian, European, African, and American cultures. Some stories about light-emitting gems may have been based on luminescent and phosphorescent minerals such as diamonds.
The Aztecs viewed turquoise as an embodiment of fire and gave it properties such as heat and smokiness. They inlaid turquoise, together with gold, quartz, malachite, jet, jade, coral, and shells, into provocative (and presumably ceremonial [clarification needed]) mosaic objects such as masks (some with a human skull as their base), knives, and ...