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A fantasia (Italian: [fantaˈziːa]; also English: fantasy, fancy, fantazy, phantasy, German: Fantasie, Phantasie, French: fantaisie) is a musical composition with roots in improvisation. The fantasia, like the impromptu, seldom follows the textbook rules of any strict musical form.
This is a list of medieval musical instruments used in European music during the Medieval period. It covers the period from before 1150 to 1400 A.D. It covers the period from before 1150 to 1400 A.D. There may be some overlap with Renaissance musical instruments; Renaissance music begins in the 15th century.
The Ball of Kirriemuir" (occasionally Kerrymuir and other variants), sometimes known as "The Gathering of the Clans" or "Four-and-Twenty Virgins", is a traditional song of Scottish origin. It is Roud Folk Song Index no. 4828. [ 1 ]
Music in Medieval England, from the end of Roman rule in the fifth century until the Reformation in the sixteenth century, was a diverse and rich culture, including sacred and secular music and ranging from the popular to the elite. The sources of English secular music are much more limited than for ecclesiastical music.
Kirriemuir has a history of witchcraft accusations dating back to the 16th century. A pond on the outskirts, known as the Witch Pool, was a millpond for the 19th-century Meikle Mill. Local amateur historians tend to think this referred to a "mickle" (small) [ 10 ] mill, but the reference is to one of James or his son Andrew Meikle's mills ...
The following are some examples of both of these types of musical instruments. In the Dune universe, the baliset is a very long nine-stringed zither. In the 1984 film Dune, the baliset is represented by a cosmetically altered Chapman stick. [16] In the Futurama television series, a fictional musical instrument called "the Holophonor" was ...
Music history is the academic study of the history of music. ... History of musical instruments (5 C, 15 P) M. Music museums ... Temperance songs; U.
Surviving sources indicate that there was a rich and varied musical soundscape in medieval Britain. [1] Historians usually distinguish between ecclesiastical music, designed for use in church, or in religious ceremonies, and secular music for use from royal and baronial courts, celebrations of some religious events, to public and private entertainments of the people. [1]