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The Vintage Modern series consists of the 2466 100-watt head and 2266 50-watt head with matching combos and a matching cabinet loaded with G12C 25-watt Greenbacks. The Vintage Modern is the first Marshall since the late 1960s to be powered by KT66s, a European version of the 6L6 valve.
The Flexi-50 amplifier head was released in 2003, and made its debut at that year's Music Live event in the UK. It is a 50-watt, class-AB amplifier, meant to “create an idealized (Marshall) ‘Plexi’ tone". [20] As a “subtle homage” to the Plexi, the Flexi's faceplate is gold Plexiglas. [20]
The JCM800 series (Models 2203, 2204, 2205, and 2210) is a line of guitar amplifiers made by Marshall Amplification.The series was introduced in 1981. Although models 1959 and 1987 had been in production since 1965 and the 2203 and 2204 had been in production since 1975, they were redesigned and introduced as JCM800 amplifiers in 1981.
In late 1965, Marshall introduced its now standard script lettering, in white. By early 1966 it began calling the amplifiers "JTM 50". [5] Some 100 early models had red lettering, and are especially sought after by collectors. [1] Other cosmetic changes included a gradual change to different knobs.
The 1959 (Marshall's identifying numbers are not years of manufacture), produced from 1965 to 1976 (when it was replaced by the 2203 "Master Volume"), [1] is an amplifier in Marshall's "Standard" series. [2] It was designed by Ken Bran and Dudley Craven after The Who's guitarist Pete Townshend asked Marshall for a 100 watt amplifier. [3]
The Marshall Major (Model 1967 [1]) was a bass guitar amplifier made by Marshall. It was introduced in 1967 as the "Marshall 200" (in reference to the power of the amplifier). It had a plexi panel and two inputs in one channel, but in contrast with the 100 watt heads made by Marshall, the first series had split tone controls similar to the ...
The Radial Pro Series were Peavey's high end drum line. In production from 1994 until 2002, it consisted of the RBS-1 prototypes, radial pro 1000, 750/751, and 500/501 models. The flagship 1000 model consisted of a radial bridge that took all the mounting stresses, and a 3-ply thin maple shell to enhance the resonance.
Steve Kimock – 50-watt and 100-watt Dumble Overdrive Specials [34] Ben Harper – 3 × Overdrive Specials (50w head + 2×12" Cabinet, 100/50w 1×12" Combo, and a 100/40w Head + matching 1×12" Cabinet); [ 35 ] in March 2016, Harper explained that Dumble had him plug his guitar directly into the oscilloscope so he could note the frequency ...
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