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This category is for the Nativity of Jesus in art. See also other sub-categories of the parent, like Category:Adoration of the Magi in art and Category:Adoration of the Shepherds in art . Here, "art" means the visual arts , not music or drama.
Albrecht Dürer produced a total of three print cycles of the Passion of Christ: large (7 scenes before 1500, with a further 5 in 1510) and small (36 scenes in 1510) cycles in woodcut, [14] and one in engraving (16 scenes, 1507–1512). [15] These were distributed all over Europe, and often used as patterns by less ambitious painters.
The landscape varies, though scenes in the background of a Nativity very often show the shepherds on a steep hill, making visual sense of their placement above the main Nativity scene. The number of shepherds shown varies also, [ 18 ] though three is typical in the West; one or more dogs may be included, as in the Taddeo Gaddi (right, with red ...
These Nativity scenes probably derived from acted tableau vivants in Rome, although Saint Francis of Assisi gave the tradition a great boost. This tradition continues to this day, with small versions made of porcelain, plaster, plastic or cardboard sold for display in the home. The acted scenes evolved into the Nativity play.
Nativity, c. mid-1450s. Oil on wood, 127.6 cm × 94.9 cm (50.2 in × 37.4 in), National Gallery of Art, Washington, D.C. The Nativity is a devotional mid-1450s oil-on-wood panel painting by the Early Netherlandish painter Petrus Christus. It shows a nativity scene with grisaille archways and trompe-l'œil sculptured reliefs.
Many of the scenes attempt to recreate the illustrations of the life of Christ by Gustave Doré in detail. [2] In 1932, the film was re-issued in the U.S., distributed on a states-rights basis. Instead of the stencil coloring effect, however, the film was printed on red-tinted stock, with a musical score compiled by James C. Bradford.
The image depicts an infant Jesus, Mary and Joseph. It presents the scene of the Nativity of Jesus, with Jesus in the manger in Bethlehem. The maternity of the Virgin is emphasized. In the painting is the Star of Bethlehem, which has eight points and symbolizes heaven and has two rays extending towards the manger.
Below Joseph is a large metal grate, possibly covering the mouth of an underground cistern. In the background, to the left, is a tiny scene of an angel announcing the birth of Jesus to shepherds, while to the right is a city scene with a road, walls and towers. Detail, central panel. The two smaller side panels show related scenes.
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