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In music, the tonic is the first scale degree of the diatonic scale (the first note of a scale) and the tonal center or final resolution tone [1] that is commonly used in the final cadence in tonal (musical key-based) classical music, popular music, and traditional music. In the movable do solfège system, the tonic note is sung as do.
A tonic chord has a dominant chord; in the key of C major, the tonic chord is C major and the dominant chord is G major or G dominant seventh. The dominant chord, especially if it is a dominant seventh, is heard by Western composers and listeners familiar with music as resolving (or "leading") to the tonic, due to the use of the leading note in ...
Simple folk music songs, as well as orchestral pieces, often start and end with the tonic note. The most common use of the term "tonality" "is to designate the arrangement of musical phenomena around a referential tonic in European music from about 1600 to about 1910". [3]
In music theory, the scale degree is the position of a particular note on a scale [1] relative to the tonic—the first and main note of the scale from which each octave is assumed to begin. Degrees are useful for indicating the size of intervals and chords and whether an interval is major or minor .
The concept of harmonic function originates in theories about just intonation.It was realized that three perfect major triads, distant from each other by a perfect fifth, produced the seven degrees of the major scale in one of the possible forms of just intonation: for instance, the triads F–A–C, C–E–G and G–B–D (subdominant, tonic, and dominant respectively) produce the seven ...
In music theory, the key of a piece is the group of pitches, or scale, that forms the basis of a musical composition in Western classical music, art music, and pop music. Tonality (from "Tonic") or key: Music which uses the notes of a particular scale is said to be "in the key of" that scale or in the tonality of that scale. [1]
In music harmony, there are six of them: four of them share all the pitches except one with a key with which it is being compared, one of them shares all the pitches, and one shares the same tonic. Such keys are the most commonly used destinations or transpositions in a modulation, [1] because of their strong structural links with the home key.
Pythagorean (tonic) major chord on C Play ⓘ (compare Play ⓘ equal tempered and Play ⓘ just). Comparison of equal-tempered (black) and Pythagorean (green) intervals showing the relationship between frequency ratio and the intervals' values, in cents.