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All these are inter-caste songs, which are fluid in nature, are never personalized for specific caste. These are sung collectively by women from different strata, castes, dialects so these songs do change fluidly in dialect, style, words, etc. This adoptive style can be seen from adoption of tunes of Bollywood movie songs into Haryanvi songs. [3]
As of 2025, Badshah has recorded his songs in Hindi, English, Punjabi and Haryanvi languages. Badshah has brought underground sounds to the mainstream with remarkable impact. Badshah has since made significant contributions to Indian hip-hop and rap music and Bollywood music.
The Haryanvi people are an Indo-Aryan ethnolinguistic group native to Haryana in northern India. They speak Haryanvi, a language is related to Hindi, and other dialects of Haryanvi such as Ahirwati, Mewati, Deshwali, and Bagri. The term Haryanvi people has been used both in the ethnolinguistic sense and for someone from Haryana. [1] [2] [3] [4]
Krishnan Nair Shantakumari Chithra (born 27 July 1963), credited as K. S. Chithra, is an Indian playback singer and Carnatic musician. In a career spanning over five decades, she has recorded 20,000 songs [1] in various Indian languages including Malayalam, Telugu, Tamil, Kannada, Hindi, Odia, [2] [3] Bengali, Marathi, Punjabi, Gujarati, Tulu, Rajasthani, Urdu, Sanskrit, and Badaga as well as ...
Tawaif Mah Laqa Bai dancing in court. Mujra is a dance performance by man/woman in a format that emerged during Mughal rule in India, where the elite class and local rulers like the nawabs of the Indian society (often connected to the Mughal emperor's court) used to frequent tawaifs (courtesans) for their entertainment.
Apart from lending her vocals to the party song, "Kar Gayi Chull" from Kapoor & Sons, which was a remake of the Haryanvi track "Chull" and her first recording for Dharma Productions, Kakkar performed several other recreated songs during the year including, "Maahi Ve"–a remake of the song "Maahi Ve" from Kaante (2002)– and "O Janiya"–a ...
Saang, also known as Swang (meaning "imitation") [1] or Svang, is a popular folk dance–theatre form and a traditional style of storytelling in Haryana, Uttar Pradesh, Rajasthan and the Malwa region of Madhya Pradesh. [2] Swang incorporates suitable theatrics and mimicry (or naqal) accompanied by song and dialogue. It is dialogue-oriented ...
Haryanvi folk music is based on day-to-day themes and injecting earthly humour enlivens the feel of the songs. [59] Haryanvi music takes two main forms: "Classical folk music" and "Desi Folk music" (Country Music of Haryana), [ 62 ] and sung in the form of ballads and love, valor and bravery, harvest, happiness and pangs of the parting of lovers.