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Wystan Hugh Auden (/ ˈ w ɪ s t ən ˈ h juː ˈ ɔː d ən /; 21 February 1907 – 29 September 1973 [1]) was a British-American poet. Auden's poetry is noted for its stylistic and technical achievement, its engagement with politics, morals, love, and religion, and its variety in tone, form, and content.
Homage to Clio is a book of poems by W. H. Auden, published in 1960. The book contains Auden's shorter poems written between 1955 and 1959, including a group of poems on historical themes first published as a pamphlet titled The Old Man's Road (1956). The book contains three parts: a group of short poems, "Dichtung und Wahrheit: An Unwritten ...
Auden revised or dropped many of the poems in the 1933 edition for the collections and selections that he prepared in the 1940s and later. The 1934 edition, published by Random House, was Auden's first published book in the United States. The publisher included all three of the books that Auden had published in the UK in this volume.
For the Time Being (New York, 1944; London, 1945; two long poems: "The Sea and the Mirror: A Commentary on Shakespeare's The Tempest", dedicated to James and Tania Stern, and "For the Time Being: A Christmas Oratorio", in memoriam Constance Rosalie Auden [Auden's mother]). The Collected Poetry of W.H. Auden (New York, 1945; includes new poems ...
Funeral Blues", or "Stop all the clocks", is a poem by W. H. Auden which first appeared in the 1936 play The Ascent of F6. Auden substantially rewrote the poem several years later as a cabaret song for the singer Hedli Anderson. Both versions were set to music by the composer Benjamin Britten.
The Orators is divided into three main sections, framed by "Prologue" and "Epilogue" (each a short poem). Part I is " The Initiates " and comprises four speeches in dramatic prose. Part II is " Journal of an Airman ", in prose with interpolated verses, in the form of a diary of an airman (or of someone who fantasizes himself to be an airman).
The two stanzas are printed in Edward Mendelson's Early Auden (1981). Soon after writing the poem, Auden began to turn away from it, apparently because he found it flattering to himself and to his readers. When he reprinted the poem in The Collected Poetry of W. H. Auden (1945) he omitted the famous stanza that ends "We must love one another or ...
Auden and Isherwood produced three plays and a travel book. Auden and MacNeice collaborated on a travel book. As undergraduates, Auden and Day-Lewis wrote a brief introduction to the annual Oxford Poetry. Auden dedicated books to Isherwood and Spender. Day-Lewis mentioned Auden in a poem, but the whole group never operated as such.