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The School of Athens (Italian: Scuola di Atene) is a fresco by the Italian Renaissance artist Raphael. It was painted between 1509 and 1511 as part of a commission by Pope Julius II to decorate the rooms now called the Stanze di Raffaello in the Apostolic Palace in Vatican City .
Jacques Carrey (12 January 1649 – 18 February 1726) was a French painter and draughtsman, now remembered almost exclusively for the series of drawings he made of the Parthenon, Athens, in 1674. [1] Born in Troyes, Carrey was a pupil in the atelier of Charles Le Brun.
The drawing is estimated to have been drawn c. 1510, possibly as a self-portrait by Leonardo da Vinci.In 1839, it was acquired by King Carlo Alberto of Savoy. [2] The assumption that the drawing is a self-portrait of Leonardo was made in the 19th century, based on the similarity of the sitter to the possible portrait of Leonardo as Plato in Raphael's The School of Athens [2] and on the high ...
From about 500 BC statues began to depict real people. The statues of Harmodius and Aristogeiton set up in Athens to mark the overthrow of the tyranny were said to be the first public monuments to actual people. [54] "The first true portrait of an individual European": [55] Roman-era copy of a lost 470 BC bust of Themistocles in Severe style. [56]
The Erechtheion [2] (/ ɪ ˈ r ɛ k θ i ə n /, latinized as Erechtheum / ɪ ˈ r ɛ k θ i ə m, ˌ ɛ r ɪ k ˈ θ iː ə m /; Ancient Greek: Ἐρέχθειον, Greek: Ερέχθειο) or Temple of Athena Polias [3] is an ancient Greek Ionic temple on the north side of the Acropolis, Athens, which was primarily dedicated to the goddess Athena.
These monuments are commonly found in the suburbs of Athens, which in ancient times were cemeteries on the outskirts of the city. Although some of them depict "ideal" types—the mourning mother, the dutiful son—they increasingly depicted real people, typically showing the departed taking his dignified leave from his family.
Fragment of the accounts relating to the realization of the statue of Athena Parthenos, IG I 3 458, Museum of the Acropolis of Athens.. According to Pausanias and Plutarch [N 5], the statue is not by Phidias alone but of a team of craftsmen representing several trades, Phidias supervising all the decoration work of the Parthenon.
Greek tragedy, as it is presently known, was created in Athens around 532 BC, when Thespis was the earliest recorded actor. Being a winner of the first theatrical contest held in Athens, he was the exarchon, or leader, [5] of the dithyrambs performed in and around Attica, especially at the Rural Dionysia. By Thespis' time, the dithyramb had ...