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The new $7 Deal Lover's Menu is the same mix-and-match-at-least-two-items deal that other pizza chains offer. Options include medium one-topping pizzas, Melts, boneless wings, cheese sticks ...
Flat Eric is a puppet character, created by Quentin Dupieux (better known under his stage name Mr. Oizo), from Levi's commercials for Sta-Prest One Crease Denim Clothing, built by Jim Henson's Creature Shop. [1] His name comes from an idea for a commercial that involved having a car run over his head and flattening it.
At Bucks Coal Fired Pizza, the Florida native combines the ground venison with chopped bacon and a drizzle of blood-orange-balsamic glaze to create the shop’s signature Bucks Pizza pie ($28.99).
Mister Pizza (Portuguese pronunciation: [ˈmiʃteʁ ˈpitsɐ]) is one of the largest chains of pizzerias in Brazil. The company was founded in 1981 by Mayer Ambar, Luiz Ambar, Álvaro Feio, Charles Saba and Carlos Galvão.
Moustache (Half a Scissor) is the second full-length album by Mr. Oizo, the alias of producer/filmmaker Quentin Dupieux, released on September 19, 2005. [2]This was Dupieux's last release for F Communications, which infamously referred to it as "unlistenable" due to its extensive use of unusual time signatures and dissonant samples. [3]
Quentin Dupieux (French pronunciation: [kɑ̃tɛ̃ dypjø], born 14 April 1974), also known by his musical stage name Mr. Oizo (French:), [1] is a French electronic musician, record producer, songwriter, and filmmaker. Dupieux is credited with his legal name for his films, while the name "Mr. Oizo" is used for his musical works.
"Flat Beat" is an instrumental by French musician Mr. Oizo. It was released on 22 March 1999 through F Communications and was included as a bonus track on his debut studio album, Analog Worms Attack. An accompanying music video was released on VHS. The music video features Flat Eric, a puppet, head banging to the track.
Maxwell's Plum was a bar at 1181 First Avenue, at the intersection with 64th Street, on the Upper East Side of Manhattan in New York City. A 1988 New York Times article described it as a "flamboyant restaurant and singles bar that, more than any place of its kind, symbolized two social revolutions of the 1960s – sex and food". [1]