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The Siemens Studio for Electronic Music c. 1956. Electrical recording was common by the early 1930s, and mastering lathes were electrically powered, but master recordings still had to be cut into a disc, by now a lacquer, also known as an Acetate disc. In line with the prevailing musical trends, studios in this period were primarily designed ...
The term outboard was originally used to describe a piece of audio equipment that existed outside of a studio or venue's primary analog mixing board. Today, analog effects are also considered outboard when used in conjunction with console-free computer-based digital recording systems. [3]
"Playing the studio" is equivalent to 'in-studio composition', meaning writing and production occur concurrently. [4] Definitions of the specific criterion of a "musical instrument" vary, [5] and it is unclear whether the "studio as instrument" concept extends to using multi-track recording simply to facilitate the basic music writing process. [6]
The initial Manor Mobile Helios console outfitted the world's first purpose-designed 24-track mobile recording studio, its 24 inputs later expanded to 40 inputs with the use of additional Helios submixers. [11] The Town House studios opened with a 40-input Helios console with Allison automation, which remained in use at the studio until 1984.
Dialog, music and sound effects, called "D-M-E", are brought to the final mix as separate stems. Using stem mixing, the dialog can easily be replaced by a foreign-language version, the effects can easily be adapted to different mono, stereo and surround systems, and the music can be changed to fit the desired emotional response.
RCA Studio B was a music recording studio in Nashville, Tennessee established in 1957 by Steve Sholes and Chet Atkins for RCA Victor. Originally known simply as the RCA Victor Studio , in 1965 the studio was designated as Studio B after RCA Victor built the newer, larger Studio A in an adjacent building.
In a video posted to social media on Friday, Bedard, standing in the park’s so-called gator pit, presses his phone, and the dramatic music begins.
Waverly Walter Alford III (born August 18, 1968), known professionally by his stage name King Gordy, is an American horrorcore singer/rapper from Detroit, Michigan.He is one-fourth of underground hip hop group the Fat Killahz (with Fatt Father, Marv Won and Bang Belushi), one-third of the horrorcore supergroup How to Gag a Maggot (with Jimmy Donn and GrewSum), and one-half of the hardcore rap ...