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"Payphone" is a pop song by American band Maroon 5 featuring American rapper Wiz Khalifa. It was released on April 16, 2012, as the lead single from their fourth studio album, Overexposed (2012). The song was written by Adam Levine , Khalifa, Ammar Malik , producers Benny Blanco and Shellback , and additional producer Robopop . [ 1 ]
The standard tuning, without the top E string attached. Alternative variants are easy from this tuning, but because several chords inherently omit the lowest string, it may leave some chords relatively thin or incomplete with the top string missing (the D chord, for instance, must be fretted 5-4-3-2-3 to include F#, the tone a major third above D).
The name diabolus in musica (Latin for 'the Devil in music') has been applied to the interval from at least the early 18th century, or the late Middle Ages, [22] though its use is not restricted to the tritone, being that the original found example of the term "diabolus en musica" is "Mi Contra Fa est diabolus en musica" (Mi against Fa is the ...
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.
Overexposed is the fourth studio album by American pop band Maroon 5.It was released on June 20, 2012, by A&M Octone Records.The album was recorded between 2011 and 2012 and was driven after the moderate success of their third album, Hands All Over (2010), and later by the enormous success of the re-released edition, which was promoted by the single "Moves like Jagger", recorded featuring ...
Joshua Weinstein [1] (also known as Precision Tunes) is a New York-based music producer. [1] His pre-release cover version of Maroon 5's "Payphone" made #9 on the UK Singles Chart, [2] selling 34,492 copies. [1]
IV M7 –V 7 –iii 7 –vi chord progression in C. Play ⓘ One potential way to resolve the chord progression using the tonic chord: ii–V 7 –I. Play ⓘ. The Royal Road progression (王道進行, ōdō shinkō), also known as the IV M7 –V 7 –iii 7 –vi progression or koakuma chord progression (小悪魔コード進行, koakuma kōdo shinkō), [1] is a common chord progression within ...
Da Capo al Coda (often abbreviated as D.C. al Coda): Repeat from beginning to an indicated place and then play the tail part (the "Coda"). It directs the musician to go back and repeat the music from the beginning ("Capo"), and to continue playing until one reaches the first coda symbol. Upon reaching the first coda symbol, skip to the second ...