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A bind rune or bindrune (Icelandic: bandrún) is a Migration Period Germanic ligature of two or more runes. They are extremely rare in Viking Age inscriptions, but are common in earlier (Proto-Norse) and later (medieval) inscriptions. [1] On some runestones, bind runes may have been ornamental and used to highlight the name of the carver. [2]
Download QR code; Print/export Download as PDF ... Where k is the late futhorc calc rune of the same shape as Younger Futhark Yr and the n͡t is written as a bindrune ...
The i ͡ŋ bindrune. Transliteration means that the runes are represented by a corresponding Latin letter in bold. No consideration is given to the sound the rune represented in the actual inscription, and a good example of this is the ansuz rune, which could vary greatly in shape.
Old Norse Yngvi, Old High German Ing/Ingwi [1] and Old English Ing are names that relate to a theonym which appears to have been the older name for the god Freyr. Proto-Germanic Ingwaz was the legendary ancestor of the Ingaevones , or more accurately Ingvaeones , and is also the reconstructed name of the Elder Futhark rune ᛜ and Anglo-Saxon ...
The Elder Futhark, used for writing Proto-Norse, consists of 24 runes that often are arranged in three groups of eight; each group is referred to as an ætt (Old Norse, meaning 'clan, group'). The earliest known sequential listing of the full set of 24 runes dates to approximately AD 400 and is found on the Kylver Stone in Gotland, Sweden.
Anglo-Saxon runes or Anglo-Frisian runes are runes that were used by the Anglo-Saxons and Medieval Frisians (collectively called Anglo-Frisians) as an alphabet in their native writing system, recording both Old English and Old Frisian (Old English: rūna, ᚱᚢᚾᚪ, "rune").
Othala (ᛟ), also known as ēðel and odal, is a rune that represents the o and œ phonemes in the Elder Futhark and the Anglo-Saxon Futhorc writing systems respectively. Its name is derived from the reconstructed Proto-Germanic *ōþala-"heritage; inheritance, inherited estate".
Towards the middle of the 11th century, the practice of carving runes that depict figures in Norse mythology decreased, and instead traditional religious imagery began to hybridize with Christian imagery. This continued with the increasing prominence of runestones that accompanied the rise of Christianity. [10]