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Ògbójú Ọdẹ nínú Igbó Irúnmọlẹ̀ (lit. ' The Brave Hunter in the Forest of 400 Deities ') is the first novel written by the Yorùbá author D.O. Fágúnwà.It was published by the Church Missionary Society Bookshop, Lagos in 1938 and is one of the first novels written in Yorùbá [1] It tells the story of the adventures of the hunter Akara-Ogun.
Elesin Oba, The King's Horseman is a 2022 Yoruba-language Nigerian historical drama film directed by Biyi Bandele and distributed by Netflix, based on Wole Soyinka's Death and the King's Horseman, a stage play he wrote while in Cambridge, where he was a fellow student at Churchill College during his political exile from Nigeria, [1] and it is based on a real incident that took place in ...
The Republic of Benin and Nigeria contain the highest concentrations of Yoruba people and Yoruba faiths in all of Africa. Brazil , Cuba , Puerto Rico , Haiti , Trinidad and Tobago are the countries in the Americas where Yoruba cultural influences are the most noticeable, particularly in popular religions like Vodon, Santéria , Camdomblé, and ...
Ti Oluwa Ni Ile (English: The Land is the Lord's) is a Nollywood Yoruba drama film sequel directed by Tunde Kelani. [1] Released in 1993 through Mainframe Films and Television Productions, the film was Tunde Kelani's debut film as a film director. [2] It was made in 3 parts and listed as one of the 10 best selling Yoruba movies. [3]
Yoruba religion is intertwined with history, with the various Yoruba clans claiming to descend from divinities, and some of their kings becoming deified after their deaths. Itan is the word for the sum of Yoruba religion, poetry, song, and history. Yoruba divinities are called Orishas, and make up one of the most complex pantheons in oral history.
Yoruba gods (18 P) Pages in category "Yoruba deities" The following 11 pages are in this category, out of 11 total. This list may not reflect recent changes. A.
The Gods Are Not To Blame is a 1968 play and a 1971 novel by Ola Rotimi. [1] An adaptation of the Greek classical play Oedipus Rex , the story centres on Odewale, who is lured into a false sense of security, only to somehow get caught up in a somewhat consanguineous trail of events by the gods of the land.
Fagunwa's novels draw heavily on folktale traditions and idioms, including many supernatural elements. [9] His heroes are usually Yorùbá hunters, who interact with kings, sages, and even gods in their quests. Thematically, his novels also explore the divide between the Christian beliefs of Africa's colonizers and the continent's traditional ...
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