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A Short Organum for the Theatre" ("Kleines Organon für das Theater") is a theoretical work by the twentieth-century German theatre practitioner Bertolt Brecht. [1] It was written while in Switzerland in 1948 and published in 1949. [ 2 ]
This short treatise professes to be the introduction to a translation of a speech by Demosthenes called On the Crown, and a speech of his rival, Aeschines, called Against Ctesiphon. Cicero was an advocate of free translation: "The essence of successful oratory, he insists, is that it should 'instruct, delight, and move the minds of his audience ...
The B theme is transformed in a dramatic return to B minor before the A theme returns. Similarly to the first movement, there is a turbulent climax with prominent trombones in the development section (the C theme). This is followed by the most agitated restatement of the A theme (the start of the recapitulation), on an F ♯ bass pedal.
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Andreas Capellanus was the twelfth century author of a treatise commonly titled De amore ("About Love"), also known as De arte honeste amandi, for which a possible English translation is The Skill of Loving Virtuously. His real identity has never been determined, but has been a matter of extended academic debate.
An oratorio (Italian pronunciation: [oraˈtɔːrjo]) is a musical composition with dramatic or narrative text for choir, soloists and orchestra or other ensemble. [1]Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters (e.g. soloists), and arias.
The purely instrumental Symphony No. 6 was completed in September 1939. Shostakovich commented on it in the press: The musical character of the Sixth Symphony will differ from the mood and emotional tone of the Fifth Symphony, in which moments of tragedy and tension were characteristic. In my latest symphony, music of a contemplative and ...
The Symphony No. 6 in F major, Op. 68, also known as the Pastoral Symphony (German: Pastorale [1]), is a symphony composed by Ludwig van Beethoven and completed in 1808. One of Beethoven's few works containing explicitly programmatic content, [2] the symphony was first performed alongside his fifth symphony in the Theater an der Wien on 22 December 1808 in a four-hour concert.